Mobile TV digital rights management — avoiding the music industry's mistakes

Jul 1, 2008 8:00 AM

             

When you buy a CD, you're free to play that recording at your house or in your car, on a PC or a CD player, or copy songs to your iPod; in other words, wherever you want.

As we know, life isn't so simple in the brave new world of digital content. Many early iPod users discovered the problem when they lost or replaced their iPods or wanted to play their music on another device; they had to buy songs all over again.

This approach has undeniable appeal for content owners and retailers. But what's equally undeniable is that device-content lock-in is a drag on the growth of digital entertainment.

Understandably, content owners want to protect their investments and copyrights from pirating. But the resulting hodge-podge of incompatible formats, and copyright, permission, subscription and licensing requirements has done perhaps as much as Napster in reducing the music industry to its current dismal predicament.

San Diego-based Verimatrix aims to avoid a repeat of history with its three-screen digital rights management solutions for TV.

"Our operators are in an increasingly competitive space — cable, satellite, IPTV," said Steve Christian, Verimatrix VP of marketing. "We think an axis that can make them successful is a three-screen solution: set-top boxes for IPTV, the PC screen and now mobile phones."

Security and digital rights are key to deploying the three-screen strategy. "Content protection is important, because it enables the business of pay TV," Christian said. "Unless you have content protection, you can't offer consumers choices."

The Verimatrix approach is simple: Unify user rights in a common backend to provide transparent interoperability among systems and devices — essentially “multirights." Because the system is implemented in software, there are no smartcards or other interface hardware, and it can be easily extended to new devices. 

"It's important to enable a seamless approach across as broad a platform as possible [so] it 'just works,'" Christian said. "If you can achieve a seamless experience across screens, you've achieved something customers want."




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 

Current Issue

2012 NAB CONTINUING COVERAGE

April 2012

In addition to the almost 200 products featured in the March issue, this month we’re happy to present more products....

Read More articles...

Related Newsletter

RF Update
provides readers with news on DTV-related issues including: FCC actions, industry news and station build-out updates.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Video Compression, Editing and Displays

Video Compression, Editing and Displays

Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

File Based Technology and Workflow

File Based Technology and Workflow

File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Sound Off Podcasts

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top