New products - U.S. edition

May 1, 2005 12:00 AM

             

Virtual Robotics Pedestal
Shotoku TP-64VR:
A lightweight, two-stage manual pedestal designed to be used with a virtual system; high-resolution encoders, which are mounted on the wheels and column, provide precise real-time camera position data of X, Y, height and pedestal base angle to the Serial Position Interface (SPI); provides reliable and accurate high-speed data.
949-754-9005; www.shotoku.tv

Graphics playout and management
Quantel Picturebox sQ:
Plays out moving sequences in the form of clips as well as stills; can upgrade to HD; has an optional slo-mo lever; is on the same network as both Paintbox and Picturebox, so there can be a number of independent viewing and editing stations; features an Integrated Graphics Architecture (IGA) computer that manages the database.
203-972-3199; www.quantel.com

Content management system
OmniBus Systems OPUS:
Fully integrated with the OmniBus Colossus automation system and driven by G3 technology; designed to ensure efficient ingest, review, annotation and storage management of content, with on-demand delivery to automation for on-air transmission; includes OPUS MediaFramework, OPUS Logging, OPUS PinPoint, OPUS View, OPUS Index and OPUS MediaFlow.
704-319-2231; www.omnibus.tv

Universal Encoder
Scopus Network Technologies UE-9120:
Encodes two MPEG-2 channels simultaneously; advanced multiplexing capabilities include encoder cascading and save external multiplexing; integrates analog cue tone detection and DPI Cue Tone insertion (SCTE-35) to eliminate the need for an external Cue Tone detection device; provides IP output as a standard feature in addition to ASI.
609-987-8090; www.scopus.net

Single-channel character generator
Pixel Power Clarity300:
Is available with three different software profiles; internal video clip player provides uncompressed 4:2:2:4 recording and playback from an internal disk array of up to four hours; storage can be expanded externally; can playback and record up to four audio channels; can be expanded to offer video clip playback and dual 2-D live squeezeback capability.
954-943-2026; www.pixelpower.com

Telephoto Zoom Lens
Thales Angenieux 26 X 7.8 AIF HD ENG/EFP:
Offers a focal range of 7.8mm to 203mm and an aperture of f/2.2; weighs 4.1lb; rectangular sunshade minimizes light interference; includes selectable zoom/focus sensitivity adjustments, an anti-breathing feature to maintain field of view when focusing and RS-232 control; features Assisted Internal Focus (AIF) technology.
+33 477 90 78 00; www.angenieux.com

MPEG IMX camcorder
Sony MSW-970:
Captures high picture quality using MPEG-2 4:2:2P@ML 50Mb/s I-frame compression; features three-chip 2/3in type Sony Power HAD EX CCDs; has 14-bit A/D Conversion and Advanced Digital Signal Processing (ADSP); records audio in either 20- or 16-bit resolution; LSI achieves a low-power consumption of 27W; remotely control camera settings and basic VTR functions.
800-686-SONY; www.sony.com/professional

ENG camcorder
Panasonic AJ-SPC700:
Uses P2 storage; combines a 2/3in 520,000-pixel IT 3-CCD camera with 60 fields interlace recording in 25Mb/s DVCPRO/DV and 50Mb/s 4:2:2 DVCPRO50 format on a P2 card; switch between 4:3 and 16:9 aspect ratios; features three recording modes, a built-in memo microphone and a shot marker indication on video clips; has five P2 card slots, providing up to 160 minutes record capacity at DVCPRO and 80 minutes in DVCPRO50 with 8GB P2 cards.
201-392-4127; www.panasonic.com/broadcast

HD camera Grass Valley LDK 4000: Supports 1080i or 720p production; features low-power consumption and Grass Valley’s HD Dynamic Pixel Management (HD-DPM) image-sensor technology; includes a camera head, a base station and an HD triax cable adapter; choose between an 2in or 5in viewfinder.
503-526-8200 www.thomsongrassvalley.com

Multiplexer, demultiplexer
Leitch HMX6800+ multiplexer and HDX6800+ demultiplexer:
Accommodate two or four balanced or unbalanced AES signals; support 1080i and 720p standards; meet facility-specific standards for multiple languages and compressed signals; correct common audio channel problems; multiplexer embeds up to four AES/EBU inputs into any or all of the four audio groups; demultiplexer de-embeds and provides up to four AES/EBU outputs, and auto-detects between SD and HD inputs. 859-371-5533; www.leitch.com

DV-to-SDI Decoder
Miranda DV-Bridge CAM:
Decodes 25Mb/s DV stream to digital video; supports DV, DVCAM and DVCPRO formats; SDI output features embedded audio and time code (DVITC); digital audio outputs lock at 48KHz; has four-pin and six-pin IEEE 1394 ports; supports 32kHz, 44.1kHz and 48kHz DV audio sample rates.
514-333-1772; www.miranda.com

I/O system
Avid DNxchange:
Encode HD-SDI signals from cameras, switchers, routers and decks to Avid DNxHD media; once material is encoded, HD media can be moved over the existing SD-SDI infrastructures within a facility; converts DNxHD media into uncompressed HD files and outputs the media to any device with an HD-SDI interface. 800-949-2843; www.avid.com




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 

Brad on Broadcast

Read More from Brad...



Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...


Recent Comments

Powered by Disqus

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top