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CIRCLE | R | MEDIA's commercial video production facilityCircle R Media’s objective was to replace its existing facility with one of the size and technological capacity normally only found outside of Texas. The outcome is a 48,000sq ft video, film and audio production facility that opened in downtown Fort Worth in May 2005... |
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Upgrading to HDThis article focuses on the various questions that must be addressed to turn an SD truck into an HD truck... |
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HD production in Europe
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New camera technologyThe latest camera technologies are products intended for professionals, geared to the workflow of entertainment production. They have created a huge shift in the market, and the ripples will be felt in many ways... |
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SPECIAL REPORT: The challenges of simultaneous HD and SD deliveryThe problem with video file standards is that there are so many of them! Learn how to get from one format to the other without compromising quality or workflow... |
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Panasonic's VariCam: An industry workhorseLow-light performance and noise issues have been addressed in the latest Panasonic VariCam model — the AJ-HDC27H... |
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Telemetrics' robotic cameras at The Weather ChannelThe Weather Channel updates its camera control with Telemetrics’ Robotics Camera System... |
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The bold and the bountiful: Graphics for multiple media
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PCN designs new digital facilityAn upgrade and improvement of on-air quality and appearance became a priority... |
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Establishing an audio reference and timing systemThe standards and practices for producing clean digital sound... |
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Router integration with Euphonix digital audio mixing systems
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StarCity Recording Company blasts offStarCity Recording Company recently opened its new recording and post-production facility in Bethlehem, PA... |
Deploying shadow browse over a WAN
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Loss of data may result in a degradation of the browse system...
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The Netherlands' CIRIS goes tapeless with SGI
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Lakewood Church designs for a live and TV audienceLakewood Church makes a move into the former Compaq Center in Houston. The first order of business for the design team: making sure the live audience of 16,000 people and the television audience of 200 million both hear the message with great audio and video... |
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NLE rendering: Multiple solutionsBack in the linear age, the words render and real time were not uttered as effects were incorporated into productions. That's because while media was... |
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Router integration with Euphonix digital audio mixing systemsEuphonix’s digital audio mixing systems can now fully integrate with most router control systems using the ES-Control protocol — supported by models from PESA, NVision, Pro-Bel, Sony, Grass Valley and Utah Scientific. The result is simpler, more efficient audio systems... |
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Tremendously marvelous restoration
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HD and sports broadcasting in Europe
The big attraction for consumers buying into HD in Europe will be sports. However, to get the best out of HD coverage, the shooting style has to change...
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On the road with HDEurope is at that point where OB truck fleets have to be evaluated and upgraded to meet the demands of the new transmission format... |
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SPECIAL REPORT: Testing HDTV lensesThe recommended approach to HDTV lens testing... |
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It's only softwareOffering high-quality video files with today’s demands for multicasting and alternative distribution media requires extra attention to encoding and decoding methods... |
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Audio multiplexingCombining multiple audio channels into a single stream is called multiplexing. It’s complex and requires careful planning. However, there are many solutions available, which the author reviews... |
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The analog-digital hybridThe chosen television picture repetition rate is aimed at satisfying different requirements... |
The evolution of newsroom systems
The author questions the need for two separate systems, the NRCS and automation, and whether changing working practices might lead to a more unitary approach...
