Classical recording specialist purchases DPA mics and surround mount

Apr 10, 2008 4:19 PM

             
Matthew Dilley’s new DPA surround kit is being used to record the London Festival Orchestra in D3 (Decca Tree) format with three DPA 4006-TL mics.

Matthew Dilley’s new DPA surround kit is being used to record the London Festival Orchestra in D3 (Decca Tree) format with three DPA 4006-TL mics.

Matthew Dilley, a leading UK producer/engineer working mainly in classical music, has purchased a DPA D3/S5 surround-sound mount and five matched DPA 4006-TL omnidirectional microphones. Dilley is based in Cambridge and enjoys a close affiliation with the University College Chapel choirs.

“The purchase of the surround system was driven by the fact that we are seeing more demand for live recordings and DVD productions where we are trying to capture the whole atmosphere of the occasion,” he said. “The S5 does this in a very elegant fashion. It looks great and is easy to fly, keeping out of the way of the visuals while the 4006-TL capsules ensure that the multiple mics don’t increase the noise floor in the way that some multicapsule surround solutions seem to.

“The 4006s have become pretty synonymous with the kind of repertoire I regularly record — orchestras, choirs and chamber music, providing openness, clarity, warmth and depth. If I want to define the stereo image a bit more, I might add an ORTF pair of DPA 4011 cardioids, but with the S5 — which I can also use with three 4006-TLs in D3 Decca Tree configuration — I am finding myself doing this less. The S5, like all DPA kits, is a thing of beauty and precision engineered from the finest materials, right down to the tape measure, protractor, cases and pen, while its integrated cables keep things incredibly neat.”

Dilley’s first use of the S5 was a brass ensemble and organ recording in Kings College Chapel, Cambridge, conducted by Stephen Cleobury. “If any building was worth recording in surround, this is it, and the results we got with the new DPA rig certainly justified it,” Dilley said. He has since used it for a variety of classical performances, including in D3 configuration at the Cadogan Hall in Chelsea, to record the London Festival Orchestra.

Supplementary spots in the form of DPA 4028 wide cardioids on their stereo holders or flamingo stands complete Dilley’s surround miking arsenal for certain live shows and sessions.

For more information, visit www.dpamicrophones.com.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 


Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...

Related Newsletter

Audio Technology Update
A twice-monthly newsletter about audio technology.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top