Digidesign ICON console a perfect match for Studio 880

Aug 10, 2007 3:42 PM

             

Studio 880 owner John Lucasey uses his new Digidesign ICON D-Control mixer with Pro Tools HD software.

Once he discovered the Digidesign ICON integrated console, producer and Studio 880 owner John Lucasey simply had to have one of his own. “Jeff Salzman, the Killers’ producer, introduced me to the ICON,” Lucasey explains. “Jeff does a lot of work here, and he had his ICON in Studio A. When he set up his own studio and moved the ICON out, there was no way I was going to be without one.”

Since opening its doors in 1998, Studio 880 in Oakland has evolved into one of the Bay Area’s most in-demand facilities. It houses four studios along with 22 production offices, making it one of the largest dedicated recording studios in the area. Bands such as Green Day, Smashmouth, Blackalicious, Switchfoot and Keith Urban call Studio 880 home.

“Initially, I was opposed to the idea of the ICON,” Lucasey admits. “All of my consoles were SSLs and Neves, and I had always been of the mindset that a half-million dollar 2500-pound console that costs $1500 a month to power must be better. But then I had a couple of projects that were essentially tied to the ICON; it would have taken too much time and effort to move them over to analog console and back, so I was kind of forced into working with the ICON. As I started learning my way around it, I was completely floored at what it was capable of. Within a couple of months, I went out and bought one for Studio C.” The room is equipped with a 32-fader ICON D-Control and two Pro Tools HD3 Accel systems replete with a massive array of plug-ins.

Lucasey’s packed schedule has him in a state of perpetual deadlines. “The ICON runs day and night here,” he said. “I’m typically doing five to 10 mixes per artist, two artists per week. I send those mixes to the record labels for approval, and then implement any changes they ask for. If I had to do total recall of that many mixes on an analog console, it just wouldn’t be happening. With the ICON, everything’s just a click away — routing, automation, scenes — everything’s exactly as I left it.”

For more information, visit www.digidesign.com/icon.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 


Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...

Related Newsletter

Audio Technology Update
A twice-monthly newsletter about audio technology.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top