Lectrosonics handles location wireless for ‘Marley & Me’

Oct 26, 2008 2:42 PM

             
Sound mixer Joe Foglia was on location during filming for “Marley & Me.”

Sound mixer Joe Foglia was on location during filming for “Marley & Me.”

As owner of Southeast Audio Services, specializing in production, location sound and ADR sound services, Emmy-winning sound mixer Joe Foglia has handled audio capture for series such as “Miami Vice” and “Scrubs.”

Most recently, Foglia handled location sound for the upcoming film “Marley & Me,” starring Jennifer Aniston and Owen Wilson. The comedy, based on a memoir by John Grogan, was shot on location in Miami and Ft. Lauderdale, FL, as well as Philadelphia. It is scheduled for release during the upcoming holiday season.

For the film, Foglia used an assortment of Lectrosonics products, including his Venue Field receiver system, fully stocked with VRT receiver modules, and his similarly flexible Venue rack-mount receiver system. Foglia’s arsenal of transmitters included an assortment of Lectrosonics UM450 miniature beltpacks, SMa Super Miniature belt packs and MM400C watertight miniature beltpacks. Each incorporates Lectrosonics Digital Hybrid Wireless technology, which encodes 24-bit digital audio information with no compression into an analog format that can be transmitted over an analog FM wireless link.

“While I was usually running two to three channels at any given time during this shoot” Foglia said, “I was prepared for anything upwards of 12 channels. Owen Wilson wore a UM450 almost exclusively throughout this project. The transmitter was strapped to his ankle, with the microphone wire running down his leg on the inside of his trousers.”

Jennifer Anniston preferred the SMa Super Miniature transmitter for its smaller size, which she had used on a previous project. “We ended up attaching the transmitter to the back of her bra,” Foglia said. “I also used the Lectrosonics RM remote, as she was very concerned about maintaining her privacy. I could easily silence her mic every time she finished on the set, so nobody would be able to pick up her conversations with a scanner.”

For more information, visit www.southeastaudio.com and www.lectrosonics.com.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 


Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...

Related Newsletter

Audio Technology Update
A twice-monthly newsletter about audio technology.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top