Minnetonka Audio software’s SurCode line has added a new Dolby E encoder.
Minnetonka Audio Software (MASI) has added a Dolby E encoder to the SurCode family. SurCode for Dolby E Encoder compresses up to eight channels of audio in various program formats as a single stereo Dolby E file, completing the workflow from production to broadcast on a single workstation.
Mac and PC installers for multiple plug-in standards, including Pro Tools, VST and AudioTools AWE, are supplied with the purchase of a single SurCode for Dolby E Encoder license. The use of an iLok key makes the license portable among workstations and facilities.
SurCode for Dolby E Encoder is scheduled to be released in the first quarter of 2009 and will be available online and through MASI pro audio resellers.
This eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.
File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media
Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.
2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.
Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.
