NESCOM discovers analog wonder of API 1608 console

Nov 23, 2008 8:51 AM

             
Dave MacLaughlin (left), NESCOM executive director of audio, and instructor Doug Hoyt added a new API 1608 console to give students first-hand experience with analog sound.

Dave MacLaughlin (left), NESCOM executive director of audio, and instructor Doug Hoyt added a new API 1608 console to give students first-hand experience with analog sound.

The New England School of Communications (NESCOM) grants associate and bachelor degrees to 100 undergraduates a year in concentrations ranging from audio engineering and marketing communications to live sound engineering and video production. The school's expansive facility boasts seven fully appointed control rooms with all the latest gear and technologies in addition to a fully-appointed live truck and a 500-seat theater complex.

To stay current, the faculty conducts a console search every year, so no console is older than approximately five years. Their most recent search turned up API's new 16-channel 1608 small-frame console with a 16-channel expander.

NESCOM's API 1608 has joined several racks of outboard gear and a 24-track RADAR recording system in Control Room A, known to the students as the “Jungle Room.” The console incorporates API's discrete electronics topology and is built to the same standards as the flagship Vision and Legacy Series consoles. The standard 1608, with 16 input channels, eight buses, eight aux sends, eight reverb returns and full center section facilities, includes a dozen 550A three-band equalizers and four 560 10-band graphic EQ modules with space available for eight additional modules.

The faculty at NESCOM was happy with the 1608's logical workflow. "It's hard for students to understand signal flow without being able to see it," said Dave MacLaughlin, NESCOM executive director of audio. "The transparent topology of the 1608, starting with mic preamp controls just above the faders, makes it easy for students to understand what's happening between the input and the output. They can then transfer that understanding to more convoluted consoles or digital mixing environments."

Because the 1608 conforms to API's 500 Series modular paradigm, which has been adopted by more than two dozen companies, instructors and students are free to switch out modules to quickly appreciate the "sounds" of different manufacturers.

For more information, visit www.apiaudio.com and www.nescom.edu.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 


Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...

Related Newsletter

Audio Technology Update
A twice-monthly newsletter about audio technology.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top