Enhanced Audio mic mount makes audible difference

May 12, 2007 8:00 AM

    

In controlled tests, recording engineer Barry Hufker found dramatic improvement when recording with the Enhanced Audio M600 mic mount. (Photo by: Mike Smith)

Producer-engineer Barry Hufker is an associate professor of audio production at Webster University in St. Louis, a program he founded 18 years ago. Like most career sound engineers, Hufker is passionate about his equipment, opinionated about his craft and skeptical about new gear. As a regular customer of distribution company Las Vegas Pro Audio, Hufker agreed to test the M600 universal mic mount by Enhanced Audio.

When the mic mounts arrived, Hufker brought them unopened to his class of upper-division audio majors. To begin, they hooked up his Brauner VMA tube condenser to its factory mount. They recorded spoken word and, as Hufker fully expected, the VMA sounded great. No surprise. Then they swapped out the factory mount for the Enhanced Audio M600.

"We were very rigorous — everything was exactly the same," he explained. "I heard the difference, but it was still hard to believe. With the Enhanced Audio M600, everything sounded crisper, clearer, more detailed. The bass had better definition and the high end was cleaner."

In the highly reverberant St. Ambrose Church in St. Louis, Hufker recorded the St. Louis Chamber Chorus, fighting the competing demands of distance from the chorus for a nice blend versus proximity to cut down on reverberation. He started with a pair of Sonodore RCM402 omni condensers in their factory mounts, achieved the best balance he could, then recorded another sample with the M600 mounts, changing nothing else. Listening to the two recordings back to back, Hufker noted tighter bass, clearer midrange and a tighter stereo image.

When not teaching, Hufker records classical, jazz and international music in and around St. Louis. His credits include Bobby McFerrin, Arlo Guthrie, Dave Brubeck and Chanticleer, plus regular engagements with the Opera Theater of St. Louis and the St. Louis Chamber Chorus.

For more information, visit www.lasvegasproaudio.com and www.enhancedaudio.ie.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 

Current Issue

Online captioning compliance

May 2012

The FCC has issued captioning requirements for all online video. Learn how to meet the requirements of the new rules and how to automate the technical process.

Read More articles...

Related Newsletter

Audio Technology Update
A twice-monthly newsletter about audio technology.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Video Compression, Editing and Displays

Video Compression, Editing and Displays

Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

File Based Technology and Workflow

File Based Technology and Workflow

File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Sound Off Podcasts

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top