Harman HiQnet provides networked solution for dance theater

Sep 8, 2007 8:24 AM

    
The Stevie Eller Dance Theater at the University of Arizona

The Stevie Eller Dance Theater at the University of Arizona uses a Harman audio system designed with HiQnet software.

In an example of how the Harman Pro Group HiQnet audio system configuration and control protocol can be used to optimize systemwide design, programming and performance, the 300-seat Stevie Eller Dance Theater at the University of Arizona in Tucson has just completed the installation of a HiQnet system comprising Crown I-Tech amplifiers, BSS Audio Soundweb London processors and JBL VerTec VT4887 line arrays. Mark Miceli, technical director for sound at the university’s School of Dance, designed the system.

“We’re going all digital,” Miceli said. “I wanted to take advantage of Harman’s HiQnet System Architect, so I went with all the Crown I-Tech power amplifiers: the I-T6000 and I-T8000 amps, which are pretty hefty.” The main digital signal processor for the system is the BSS Audio Soundweb London BLU-80 device.

One of the problems with the original system, installed in 2004, was poor coverage, partly due to comb filtering caused by the horizontal speaker arrays. In the summer of 2006, Miceli put together a model of the dance theater and came up with a small line array system that was just right for the space. There are four VerTec line arrays per side. With EASE modeling and TEF measurements, Miceli was able to find just the right orientation for the line arrays that allowed good coverage from front to back.

The space is somewhat acoustically challenging because of the geometry of the room. Above the audience, the ceiling is very tall with a lot of catwalks and industrial air conditioning ducts overhead. Miceli needed very good control over the vertical coverage of the system in the dance theater to minimize the sound splashing up into all the ducting and catwalk. “This is where the line arrays have really proved themselves,” he said. “They’ve allowed me to focus the sound energy into the seating area and minimize splashing into areas that did not require coverage.”

For more information, visit www.harmanpro.com.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 

Current Issue

Online captioning compliance

May 2012

The FCC has issued captioning requirements for all online video. Learn how to meet the requirements of the new rules and how to automate the technical process.

Read More articles...

Related Newsletter

Audio Technology Update
A twice-monthly newsletter about audio technology.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Video Compression, Editing and Displays

Video Compression, Editing and Displays

Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

File Based Technology and Workflow

File Based Technology and Workflow

File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Sound Off Podcasts

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top