Shown here is an example of the SSL Gravity user interface.
An SSL Gravity MAM system coupled with a Snell automation system will be instrumental in bringing Danish parliament TV to the digital terrestrial network when the national digital switchover occurs on Nov. 1.
Gravity will take feeds from a network of cameras placed throughout the parliament complex and record them to a Gravity media network central server via six Gravity encoders. Each encoder has 24 hours of storage to backup the central storage from Rorke Data integrated with Gravity.
The rough-cut clips are passed to the seven output decoders, at which point Apple Final Cut Pro (FCP) craft editors can create news and highlights packages. Craft editors can also access and edit media directly via their FCP edit clients, and Gravity automatically loads all media clips specified by the Snell automation transmission playlists to the output decoders in the correct format.
In the ever advancing world of media content delivery, MPEG over IP (MPEG/IP) has been gaining popularity for a number of reasons. MPEG/IP delivery offers lower costs, higher bandwidth, greater efficiency, and new application possibilities over the traditional methods, such as: Asynchronous Transfer Mode (ATM) and RF networks. Along with the benefits, come a number of challenges. One of the biggest challenges is a mechanism to recover lost data in real-time. This paper will attempt to shed some light on the inner workings of the real-time data recovery mechanism: Pro-MPEG Code of Practice #3 Forward Error Correction (CoP#3 FEC). Read Now
This white paper introduces you to EVS Instant Tapeless Technology and will explain how to apply it in multi-camera studio production for dramas, series, talk shows, and any other studio productions.... Read Now.