Using studio automation

Jun 1, 2009 12:00 PM, By Gayle Galvez

A director compares the Grass Valley Ignite, Ross Video OverDrive and Sony ELC.

             
Sony’s ELC automation system names events Cues.

Sony’s ELC automation system names events Cues.

Keys on a regular keyboard are used to perform a show with OverDrive. Transitions such as a cut, dissolve, or any transition listed from a drop-down window, can be chosen on the fly. Lower thirds are added and removed by hitting an assigned key on a keyboard. Because transitions are determined at the coding level when using Ignite, you can hit a single button to play each event. There are many options to play an event: You can step on a foot pedal, click a virtual or physical button or hit alt+spacebar. Lower thirds are added by clicking on a virtual button on the virtual switcher or hitting a customized physical button. Transitions are also built into Cues so an event is played by hitting a physical button. When changes are made with ample time to recode, the OverDrive or ELC playlists update as soon as the cursor is off the storyline in the rundown. However, once an event is in preset, the event will not update. With Ignite, you must wait for an indicator button to light, indicating a change. Hitting that same button updates the playlist. Both update situations have their advantages.

A main concern when switching to an automated system is breaking news. But what is breaking news? It's an unexpected added story. All systems can quickly add new events as fast as hitting a button. By design, there are buttons customized specifically for breaking news that can be easily accessed. For any automated system, a master or shell rundown can include precoded elements regularly used during breaking news at the bottom of the rundown in a floated state. These can be moved up and unfloated to the appropriate position. Time might be needed for an animation to cue, but that delay would happen with or without automation.

Many issues or mistakes are blamed on the system that are unwarranted, especially in the beginning months of using the system. Automation systems do work. Adjustments must be made when switching to an automated system, just like adjustments were made when switching from manned to robotic cameras. Not everything done previous to automation will stay the same, and work patterns will need to change by more than just the director. As a director, asking which system is better is like asking which pizza is better. It all depends on your taste.


Gayle Galvez is an automation consultant and television director.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 


Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...

Related Newsletter

Automation Technology Update
A twice-monthly newsletter covering the world of automation technology.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top