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New studio technology - HD



ESPN’s HD heaven



ESPN’s 120,000sq ft, all-digital HD digital center in Bristol, CN, is the future of broadcast production, based on digital technology, and it’s paying huge dividends today. Networking and automating many of the labor-intensive processes has led to reduced errors and continued system reliability. If there is such a thing, this is HD heaven.

A signal distribution and processing system design has been implemented to support nine different TV networks that originate from Bristol. These include all U.S.-based ESPN distributed channels and are supported by the facility’s massive signal routing architecture that feeds more than 19 nonlinear edit rooms, four master control suites and a large sports content ingest screening area. Signal paths can be changed quickly to accommodate new channels and future internal growth.

The facility features resilient, physically dispersed HD SDI and AES signal paths throughout the building, requiring more than 7 million ft of coax and fiber-optic cable to handle a mixture of SD and HD signals.

Now in its second year of distributing more than 470 HD live sports telecasts on its ESPN HD and ESPN2 HD channels, ESPN distributes its highest-rated programs, including “SportsCenter,” in the 720p HD format. These widescreen telecasts, with multichannel AES audio, are supported by a large variety of multiformat broadcast equipment to produce more than 6000 hours of originally produced HD programming annually.

The immense requirements of ESPN’s production infrastructure is handled by multiple racks of HD routing switchers (configured as four dispersed 1024x512 I/O matrixes for HD video signals) and a similarly dense AES router to handle audio routing. The video router can handle both SD and HD signals in the same frame. Control of the routers is through a centralized facility control system.

To support its signal distribution paths, the facility has installed hundreds of modular equipment products to route digital audio and video signals to routers, production switchers, audio mixers, and other destinations.

There’s a large complement of nonlinear editing and media server equipment, including 25 edit systems tied to 68 main media servers to distribute media on and off the SAN that currently includes a capacity of more than 3500 hours (in SD mode).

The facility houses three HD studios, which are home to all ESPN Bristol-based studio shows, including “SportsCenter.” To capture its live shows in widescreen (16:9 aspect ratio) 720p, ESPN is using 20 multiformat HD cameras. Fiber-optic transmitters and receivers, in tandem with air-blown fiber between buildings on the Bristol campus, has enabled the facility to network seven studios via more than 1000 fiber-optic circuits.

Design Team Technology at Work
ESPN: Calrec Alpha 100 audio consoles
  Rob Hunter, sr. dir., systems eng. and media tech. Evertz
  Bill Lamb, VP systems eng. and tech. support   MVP-3000 display processors
  Kevin Stolworthy,sr. VP, production op.   7700 series fiber-optic gear
  Ted Szypulski, sr. dir., proj. dev. Grass Valley:
  National TeleConsultants   Trinix HD routing
Doyle Technology Consultants   Apex Plus routing switchers
The Systems Group   Concerto routing switchers
  Encore control
  Kameleon distribution amplifers :
  Kalypso production switchers
  LDK-6000 studio cameras
Miranda:
  Densité and Symphonie
  distribution amplifiers signal
  conversion modules
  ImageStore network branders
Pro-Bel:
  TX-510HD MC switchers
Sirius and Halo signal routing
Morpheous automation
Quantel sQ servers, Qedit Pro editors

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