With over 44 years of film and television experience, Auckland, New Zealand-based production sound mixer Mike Westgate received the call to handle location sound for this challenging project. From feature films including Roger Donaldson’s The World’s Fastest Indian and Edward Zwick’s The Last Samurai to documentaries for Jean-Michel Cousteau Productions, Westgate routinely faces some of the most extreme working conditions audio professionals encounter. Such was the case on this project, where he handled the audio recording on-board a cramped Maori war canoe. He discussed the challenges he encountered and his decision to deploy Lectrosonics wireless technology.
“The Maori war canoe, Waka Taua, is low-to-the-water and a cramped vessel,” Westgate reports. “I knew that, with all the oars propelling the canoe, there would be lots of splashing. Water, of course, is not the friendliest of elements toward electronic equipment. For this reason, it was clear to me that if I was to have any success; the only equipment for the job was one of my Lectrosonics’ MM400A water-resistant miniature beltpack transmitters.”
Westgate’s two MM400A transmitters were mated with Countryman B6 omnidirectional lavaliere microphones. These transmitters communicated via compatibility mode with a pair of Lectrosonics UCR100 beltpack receivers. Further, Westgate used two Lectrosonics UM200 frequency agile beltpack transmitters (also with Countryman B6 microphones) with a pair of UCR201 compact diversity receivers.
According to Westgate, “We were shooting in India, Hong Kong, Borneo, New Zealand, Australia, and Zambia. We had two equipment sets to ensure against any accidents or frequency conflicts and this particular combination of equipment worked very well for us. The fact that the two pairs or radio microphones were on different blocks was another advantage. I kept the UCR100 receivers on block 24 while the UCR201’s were on block 22.”
In addition to the equipment’s sound quality and versatility, Lectrosonics build quality is another attribute that Westgate is very fond of. “I work under some very demanding conditions, so the gear takes a fair amount of abuse and it has to work consistently,” he said. “The build quality, the logical menus, and the level of support Lectrosonics provides are first rate. It all adds up to a very positive field experience.”
As has been the case with all his projects, Westgate’s Lectrosonics equipment lived up to his expectations once again. “All the interview dialogue was achieved using wireless microphones,” Westgate said, “and the audio quality is superb on the film’s DVD. We filmed from an adjacent boat and it was a last minute decision of mine to place the Lectrosonics MM400a onboard the canoe. Once we started shooting, I handed my headphones to director Ben Warwick. He simply could not believe the results that captured the power of the moment. Coupled with the sight of the Maori canoe filled with men and women rowing and chanting, the sound of paddles and water swishing was an experience that made me feel very proud. The recording still delights me!”
For more information about Mike Westgate, visit him online at www.mikewestgatesound.co.nz/.
Well respected within the film, broadcast, and theater technical communities since 1971, Lectrosonics wireless microphone systems and audio processing products are used daily in mission-critical applications by audio engineers familiar with the company's dedication to quality, customer service, and innovation. Lectrosonics is a US manufacturer based in Rio Rancho, New Mexico. Visit the company online at www.lectrosonics.com.
Photo info: Image of a Maori war canoe named Te Hoenga, captained by Hone Mihaka and operated by Taiamai Heritage Journeys in the Bay of Islands area of New Zealand, home to the Nga Puhi tribe.
Click here for a sample recording from the Maori war canoe.