The Pampa 2 and Pampa 4 can be mounted at almost any angle via a universal head.
The Pampalite fluorescent light is designed for performance and portability for lighting stills, television and film locations.
It uses dimming 55-watt compact fluorescent lamps mounted in carefully designed curved reflectors to give a bright, even light output. These are supplemented by individually adjustable reflective barndoors, which can be reversed to give a matte black surface, or removed either separately or together.
The doors are fitted with diffuser clips on both sides. There are also fabric egg crates available in a choice of angles to further control light output.
The Pampa 2 and Pampa 4 can be mounted at almost any angle via a universal head. This head combines a ball and socket with a detachable connection to engage a receiver mounted on the shell of the lamphead.
This eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.
File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media
Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.
2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.
Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.
