Versus builds a unique HD studio

Apr 1, 2008 12:00 PM, BY MICHAEL GROTTICELLI

    

Embedded audio

All audio for the Versus live NHL production passes through a new Solid State Logic C100 HD console, which is easy to operate and versatile. The studio is currently mixing and distributing stereo audio, but will convert to full surround sound later this year. The broadcast console is capable of delivering 5.1 with a few keystrokes.

Audio signals remain as embedded HD-SDI throughout most of the production workflow, and are only demuxed via Evertz 7721AD4-HD modules before entering the console. To keep a handle on potential lip-sync issues, program audio from the console is then remuxed using Evertz 7721AE4-HD modules.

While in live production mode, the audio console and switcher act as transmission routers in tandem passing the inbound feed through the facility and directly back out to air. This allows the production crew to continue cutting highlights without interfering with the live games.

The audio suite also features a 360 Systems Instant Replay for push-button audio cues. The system is tied into a large audio library server located on the fourth floor, via GigE network connectivity, with clips and sound effects recalled at will.

Wider signal traffic

Bringing the bandwidth-intensive HD signals into and out of the building was also a challenge, as the town of Stamford is not equipped to handle wideband transmission. New trenches were dug from the building at Harbor Plaza to the local fiber-optics transmission provider, Level 3 Communications, which is about a half mile away, to accommodate multiple dedicated OC-3 and OC-48 lines for unlimited HD capacity. There's also a 48-jack fiber panel installed outside the building on a telephone pole to allow Versus to bring in a satellite uplink truck if necessary. This provides bandwidth to capture live or prescheduled feeds from around the world. Signals also come in on fiber via Level 3's VenuNet service and Intelsat circuits.

To this day, Koopmann said he's still awed by what the engineering team has accomplished. It completed a project of major proportions, within an almost impossible timeframe, overcoming obstacles of every nature along the way. The network now has an HD production infrastructure to rival any in the industry — where edited video pieces, created within seconds of air, are shuffled between the four floors during the live shows with ease. The tapeless environment it designed and built gives the “Hockey Central” team more flexibility and better production values than it ever had before.

Michael Grotticelli regularly reports on professional video and broadcast technology industries.

Design team

A&D Associates
Axay Patel

Camsan Electric
Joe Hurlock

HB Communications
Jim Burke, director, new media and broadcast
Tim Visgilio, senior sales representative
Gary Peck, broadcast engineer
Tim O'Rouke, broadcast video technician
Greg Kashuba, broadcast video technician
Teresa Aresco, video technician

Jansen Design
Joe Montalbano, partner, director of architecture

Loft Development
Beau Keen, president
Charlie Pavarini, vice president
Bob Marrone, GC

Versus
Paul Koopmann, director, engineering
David Coulombe, broadcast engineer
Jasper Veldhuis, broadcast technician
Bill Kunz Director, information technologies
Steve Nikiforow, IT analyst

Technology at work

360 Systems DR-554-E Instant Replay

Avid
AirSpeed server
Interplay storage
Media Composer Adrenaline editing
Symphony Nitris editing
Unity ISIS storage

AVP AV-DZ3ZEI-AMN75 HD patchbays

Belden 1505, 1802B, 9451 and 1514C cabling

BOXX Technologies 8400 graphics workstation

Canon
XJ22 x 7.3B IE-D HD studio lenses
HJ11e × 4.7BENG lenses

Christie Digital 120in HD projection system

Evertz
7700 series multiframe
500 series high-density modules
MVP multi-image display processor

EVS
XT[2] HD server
XFile

Harris Leitch
FR-3901 1RU frame for Neo
DVR-3901 digital video recorder
X75HD-AV-2PS multiple path converter and sync
NUCLEUS-PROC network control panel

JVC DT-V20L HD LCD panels

MGE UPS Systems Comet 48 UPS

Panasonic TH-42PWD8UK LCD HD monitors

Riedel
Artist digital maxtrix
Performer digital partyline

SANKEN COS-11S lavalier

Sharp
PN-465U 46in 1080p HD LCD
LC-32GP1U 32in 16:9 HDTV LCD

SGL archive robot

Solid State Logic C100 HD audio console

Sony
HDC-1500L HD cameras
MVS-8000A HD switcher
BVMA14F5U 14in HD CRT monitor
HDW1800 HDCAM VTR

Spectra Logic T950 archive robot

TBC Consoles
Custom consoles
TRAC series consoles

Thomson Grass Valley
Encore control system
Concerto routing matrix

Vinten Osprey Elite pedestals




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 

Brad on Broadcast


Current Issue

Online captioning compliance

May 2012

The FCC has issued captioning requirements for all online video. Learn how to meet the requirements of the new rules and how to automate the technical process.

Read More articles...


Recent Comments

Powered by Disqus

 


Video Compression, Editing and Displays

Video Compression, Editing and Displays

Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

File Based Technology and Workflow

File Based Technology and Workflow

File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Sound Off Podcasts

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top