‘Avatar’ 3-D experience aims to immerse viewers in distant world

Dec 1, 2009 9:42 AM

    
According to PACE CEO Vince Pace, the best use of 3-D is to immerse viewers in a scene to give them a sense of being there.

According to PACE CEO Vince Pace, the best use of 3-D is to immerse viewers in a scene to give them a sense of being there.

The new James Cameron film “Avatar,” a sci-fi adventure set on the distant planet Pandora, pits the ultimate high-tech profiteers from Earth against the indigenous Nobbies, a race of extra large blue beings who look part human and part feline.

Although CGI plays a significant role in creating Pandora and the battle for an extremely precious resource native to it, the movie’s use of 3-D digital cinematography is sure to spur the techno-buzz surrounding this film.

But don’t expect 3-D gimmicks, says Vince Pace, CEO of PACE and developer of the FUSION 3D camera system used to shoot “Avatar.” Based on a pair of Sony HDC-9500 cameras, the FUSION 3D system allowed Cameron to create for viewers a sense of actually visiting Pandora rather than seeing a home movie of it, Pace says.

Dimension as a medium is very shorted-lived. Thus, Pace’s technology and Cameron’s use of it sets its site on something more lasting, which is mimicking what an actual viewer of an experience sees in real life.

In this podcast interview, Pace discusses “Avatar,” the use of the FUSION 3D camera technology to create that “being there” experience and his thoughts about the future of 3-D production and presentation in mainstream broadcast TV.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 

Current Issue

Online captioning compliance

May 2012

The FCC has issued captioning requirements for all online video. Learn how to meet the requirements of the new rules and how to automate the technical process.

Read More articles...

Related Newsletter

HD Technology Update
A twice-monthly newsletter covering high definition technology through example applications.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Video Compression, Editing and Displays

Video Compression, Editing and Displays

Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

File Based Technology and Workflow

File Based Technology and Workflow

File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Sound Off Podcasts

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top