Game Creek Video captures Super Bowl XLV with Canon long-zoom lenses

Feb 15, 2011 3:47 PM

    
Game Creek Video turned to the Canon XJ100x9.3B long-zoom HD lens for 18 HD field cameras used to shoot Super Bowl XLV.

Game Creek Video turned to the Canon XJ100x9.3B long-zoom HD lens for 18 HD field cameras used to shoot Super Bowl XLV.

Mobile production company Game Creek Video outfitted all 18 of its stationary HD field cameras with Canon XJ100x9.3B long-zoom HD lenses for coverage of Super Bowl XLV Feb. 6.

In addition to using this triple-digit, long-zoom HD field lens, Game Creek Video equipped all of its portable HD cameras with Canon HJ22ex7.6B and HJ11x4.7B ENG-style lenses and HJ21ex7.5B portable EFP lenses.

Canon’s XJ100x9.3B long-zoom HD lens features Canon’s Shift-IS built-in image stabilization system, which enables TV directors to capture high-impact telephoto shots and deliver this video shake-free to the viewing audience. As with all of the long-zoom lenses in Canon’s DIGISUPER line, the XJ100x9.3B features Canon’s XS technology for superior optical performance in terms of high contrast and picture sharpness across the entire focal range.

Canon’s second-generation digital servo system provides microcomputer compensation of lens focus breathing (the inadvertent alteration of field of view when operating the focus control) and also facilitates a host of improved digital operational features for focus and zoom control.

Canon’s portable HD lenses also were integral to Game Creek Video’s coverage of the game. They included the HJ22ex7.6B, Canon’s longest-focal-length portable HD production lens; the HJ21ex7.5B, which has a wide field of view combined with a 21x focal length; and the HJ11ex4.7B wide-angle lens.

All three lenses have Canon’s eHDxs designation, which indicates inclusion of Canon’s XS optical technology as well as Canon’s eDrive digital servo system embodying the company’s MRA technology.

MRA technology provides 16-bit resolution of the settings for zoom, iris and focus, which allow camera operators to program functions like zoom and focus settings into the lenses for precise, automated repeatability via an LCD menu, assignable soft function buttons and the rocker switch built into the lens grip.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 

Current Issue

Online captioning compliance

May 2012

The FCC has issued captioning requirements for all online video. Learn how to meet the requirements of the new rules and how to automate the technical process.

Read More articles...

Related Newsletter

HD Technology Update
A twice-monthly newsletter covering high definition technology through example applications.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Video Compression, Editing and Displays

Video Compression, Editing and Displays

Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

File Based Technology and Workflow

File Based Technology and Workflow

File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Sound Off Podcasts

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top