NEP Supershooters capture Super Bowl with Canon lens complement

Feb 17, 2009 10:34 AM

             
For game coverage of Super Bowl XLIII, NEP Supershooters used 34 Canon HD lenses, including eight Canon DIGISUPER 100s.

For game coverage of Super Bowl XLIII, NEP Supershooters used 34 Canon HD lenses, including eight Canon DIGISUPER 100s.

Mobile production specialists NEP Supershooters used 34 Canon HD lenses to capture the imagery from every angle for coverage of Super Bowl XLIII from Raymond James Stadium in Tampa Bay, FL.

NEP Supershooters used the Canon HD lenses carried onboard its ND3 HD and SS24 HD mobile units for production duties on the network telecast of Super Bowl game coverage. Canon has been the exclusive provider for network TV coverage of the game for more than 15 years.

The longest reach at the game came from eight Canon DIGISUPER 100xs (XJ100x9.3B IE-D) long-zoom HD field lenses and 16 DIGISUPER 86xs (XJ86x9.3B IE-D) long-zoom HD field lenses, all of which feature Shift-IS, Canon’s built-in optical shift image stabilizer technology. NEP’s handheld cameras, meanwhile, were outfitted with eight Canon HJ22ex7.6B IRSE long focal-length portable zoom lenses, and two HJ11ex4.7B IRSE wide-angle portable lenses.

“Every Canon HD lens we select for the Super Bowl is crucial, because they all go on the air and any one of them could be on the camera that shoots the pivotal play,” said George Hoover, CTO of NEP Supershooters.

At Raymond James Stadium, NEP Supershooters counted on the Canon XJ100xs to capture many of Super Bowl XLIII’s most dramatic moments. “The 100xs is the tool that captures the emotion of the game,” Hoover said. “You’d think that those lenses would be way up in the rafters, but actually they’re down at field level clustered in the end zones. That’s what’s getting us the really close, tight HDTV shots for the look under the helmet.”

Specially modified Canon lenses also played a part in the first-down yellow line for TV viewers. SportsMEDIA Technology takes zoom and focus data from the lenses fed to the telemetry systems for the overlay, Hoover said.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 


Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...

Related Newsletter

HD Technology Update
A twice-monthly newsletter covering high definition technology through example applications.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top