At IBC2008 in Amsterdam, Thomson unveiled the cine-style options for its Grass Valley Infinity Digital Media Camcorder (DMC) giving the camera the ability to shoot in production-style, HD progressive formats.
The options add the ability to use cine accessories and lenses with the DMC as well as support for 1080P23.97, P25 and P29.97 at a 1920 x 1080 HD resolution.
The cine-style option is just one of several boosts to functionality since the camera’s introduction.
Thomson also has added the ability to record HD in long GOP to the camera, giving users the option of selecting and capturing HD in bit rates at 18Mb/s, 25Mb/s, 35Mb/s and 50Mb/s. Combined with the Infinity camcorder’s existing capabilities, Infinity users can select the precise balance of capturing bandwidth, storage capacity and operational functionality for each individual production and scene.
This eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.
File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media
Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.
2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.
Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.
