Varuna Entertainment shoots ‘Trick My Truck,’ ‘Ski Patrol’ with Canon camcorders

Dec 23, 2008 10:23 AM

             
Varuna Entertainment director of photography Chun Ming Huang shot “Ski Patrol: Crystal Mountain” with the Canon XH G1 HD camcorder.

Varuna Entertainment director of photography Chun Ming Huang shot “Ski Patrol: Crystal Mountain” with the Canon XH G1 HD camcorder.

Inspired storytelling, superior HDTV production values and prudent budgeting are essential elements in the competitive world of producing innovative programming for today's cable networks.

For Varuna Entertainment in Los Angeles, achieving these goals is made easier by using Canon's XH G1 HD camcorders to capture dramatic, challenging and often dangerous footage for two of their latest cable "reality" series.

In transitioning its popular “Trick My Truck” series to HDTV, Varuna Entertainment first used Canon camcorders. The Canon XL H1 HD camcorder was small enough to get into a lot of places where a full-size HD camera wouldn’t fit, said Varuna Entertainment director of photography Chun Ming Huang.

To shoot the series, Huang relies on a wide-angle zoom lens and the XL H1’s standard 20X zoom lens. The series is shot inside the production company’s shop, a stable, controlled environment, which Varuna Entertainment producer Prema Ball said makes switching the lenses as needed sensible.

Besides the Canon 20X HD zoom lens and Optical Image Stabilization, the XH G1 HD camcorder features three 1/3in native 16:9 1.67 million pixel CCDs, true 1080 HD image capture with a choice of frame rates, Total Image Control of more than 23 independently adjustable settings, and industry-standard connections for genlock, HD-SDI/SD-SDI output and SMPTE time code.

Far from the predictable confines of the shop, Varuna Entertainment is using the Canon XH G1 HD camcorder with its fixed zoom-lens to shoot its new series “Ski Patrol: Crystal Mountain.” Shot in high definition under treacherous alpine conditions, the series debuted on truTV in October.

For the shoot, the production company followed and shot the ski patrol as it rescued people and blew up snow packs to prevent avalanches. The XH G1 HD camcorder offered the ease of maneuverability and durability needed for the mountain shoots, Ball said.

Some of the skiing shots were captured by camera operators holding the XH G1 HD camcorders on monopods.

"Occasionally the operators would fall, and it was much better that they were holding the lightweight XH G1 than a heavier HD camera,” Ball said. “A bigger HD camera could cause as much damage to an operator as the fall itself."

For more information, visit www.usa.canon.com.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 


Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...

Related Newsletter

HD Technology Update
A twice-monthly newsletter covering high definition technology through example applications.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top