New control room, studio take ‘NewsHour’ into HDTV

Dec 28, 2007 8:09 AM

             

Everybody, including the window manufacturer, eventually came in ahead of what they projected. It worked out OK. Physically there are certain building elements that you would like to have in place before you begin integrating sensitive electronic equipment. So the windows had a timeliness that we were all keenly aware of.

This was a compressed timeline project, and any task that extended beyond its due date raised our attention and caused us to play close attention to it and what it might affect. Once elements were authorized by WETA, things moved extremely fast. As we all know, the optimistic scheduling in the beginning of a project is never what we realize at the end. But it’s funny, the air date never changed. That just meant that we had to be creative and work a little harder than scheduled near the end.

HD Technology Update: Is “NewsHour” using 5.1 surround?

Joe Strobel: The room is built for 5.1 using an SSL C132 mixer and is equipped with 5.1 monitoring. There are Dolby DP570, 571 and 572 units to handle the 5.1. However, I believe right now the audio output is a stereo mix.

HD Technology Update: Will the new HD facilities play into coverage of next year’s conventions, and if so how did that affect the design?

Joe Strobel: That’s absolutely yes, and that’s primarily seen in the control room layout. I mentioned the different segment producers associated with the day-to-day “NewsHour” production. It’s quite an impressive thing to watch the change of personnel in that room throughout the show. At WETA there tend to be a lot of people that come in to watch the production of the show, whether they are donors, supporters, or distinguished guests.

So there was a request from every department including the “NewsHour” for additional space in the control room. The control room has three rows. The first row accommodates the TD, director, assistant director and graphics. The second row handles the producers and the EIC. The back row or third row is really a viewing area for people to sit and observe. There is not a primary function occurring in that row. Once we created that space in the third row we had the ability to truly address historic needs for election coverage.

All of the positions in the second and third row are configured to allow them to drop in additional equipment and gear specific for the election. And that’s the next thing they are going to start doing literally before the dust even settles in this room. They are going to start enabling some of those positions. The infrastructure is there, and the physical support of it is there so we shouldn’t have too many intercoms or control panels gaffer taped to the consoles for this election.

Tell us what you think!
HDTU invites response from our readers. Please submit your comments to mailto:editor@broadcastengineering.com. We'll follow up with your comments in an upcoming issue.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 


Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...

Related Newsletter

HD Technology Update
A twice-monthly newsletter covering high definition technology through example applications.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top