Encoding technology

Mar 1, 2009 12:00 PM, By Carl Furgusson

Coding advances point to a new generation of MPEG-2.

             

Rate optimization

Rate optimization and rate-distortion optimization will be at the heart of next-generation MPEG-2. RO/RDO has its roots in the early 1990s, but the concept was developed further during the evolution of MPEG-4 AVC as an implementation solution to deal with the increased compression mode toolset complexity of MPEG-4 AVC within the cost-constrained processing power available. The technique has never been applied seriously to MPEG-2 because of its high processing demands.

In all real-time video encoding, encoders have a choice of tools they can use to compress the content, and each approach will deliver a different bit rate and visual result for any given macroblock. Today’s MPEG-2 encoders have limited processing resources available, so for real-time processing, the encoders have to make intelligent predictions about which tools will deliver the best compression result for any macroblock. These “mode decisions” are part of the “secret sauce” that makes one vendor’s implementation different from another.

In the future, it will be possible to encode each macroblock using every encoding tool combination in parallel. Encoders will then determine which method worked best in terms of bit rate cost (an estimative approach found in rate-optimization) or by measuring bit rate combined with total visual distortion from the source video signal (an exhaustive approach found in rate-distortion optimization). The encoder then selects the best of the parallel encodes and uses it for the macroblock. This process is repeated for every macroblock.

Exhaustive macroblock-level RDO allows the encoder to look deeper into the MPEG-2 compression algorithm than RO, so it knows exactly what the macroblock will look like after encoding without any degree of estimation error. In effect, the encoder pretends that it is going to take each of the parallel encode results as the final encode. The built-in decoder decodes the macroblock for every parallel encode, in each case providing a true picture of what the video will look like, including its visual qualities as well as bit rate.

Even using rate-distortion optimization, there has to be a trade-off between visual quality and bit rate for each macroblock. A good encoder will need to find the optimum balance and exercise repeated proper judgment. Simply throwing processing power at MPEG-2 will not deliver the maximum potential gains that digital TV providers need to consider encoder swap-outs.

Other enhancements that could now be used to develop a new generation of MPEG-2 compression include:

  • More powerful look-ahead functionality.Increasing processing power will support multiple encodes at the look-ahead stage, or the point at which incoming video is analyzed to optimize the final encode. Early look-ahead implementations only provided a bit rate demand calculation, but with more information available for the final encode, any new generation of MPEG-2 encoders will be able to make better predictions. This will result in improved rate control and will help determine exactly what quantization is needed to achieve optimum picture quality for each frame.
  • Two-stage motion-estimation. Improved look-ahead would provide motion estimation and after this first pass, the motion-estimation information could be refined in time for a second-stage motion-estimation during the final encode.
  • Preprocessing and forward analysis scene cut detection. Any new generation of MPEG-2 encoders should also deliver improved flash detection so they handle significant color changes, including fade detection such as fade to black.
  • Adaptive GOP structures and adaptive GOP length. Techniques commonly used on MPEG-4 AVC encoders, adaptive GOP structure and length gives the encoder more freedom to match the frame type to the content, helping to reduce bit rate requirements without sacrificing quality.
These various techniques, combined with rate-distortion optimization, provide the basis for a complete re-evaluation of MPEG-2 compression. Using simulation models, tests show that a 15 percent improvement in MPEG-2 compression efficiency is realistic. All of these techniques are compatible with the MPEG-2 specification, guaranteeing interoperability with legacy SD MPEG-2 set-top boxes.

A comparison of current and next-generation MPEG-2 SD performance shows a 15-20 percent bit rate reduction, respectively.

Figure 1. A comparison of current and next-generation MPEG-2 SD performance shows a 15-20 percent bit rate reduction, respectively.

Figure 1 shows PSNR results for broadcast content comparing today’s typical MPEG-2 performance to the potential performance using these new techniques described. At 8Mb/s, a scenario typical for public broadcast channels in Europe, a bit rate reduction of 15 percent can be seen for equivalent picture quality. At lower operating points such as 3.5Mb/s, a scenario typical for DTH statistically multiplexed channels, savings of 20 percent can be seen.

These tests show that the digital TV industry can now look forward confidently to a change in MPEG-2 performance. At the very least, platform operators can expect more SD channels in the same bandwidth without reducing picture quality on existing services.

Improved MPEG-2 encoding will provide the means to harvest bandwidth from SD services to enable “bandwidth-free” introduction of HDTV on satellite; HD, VOD and faster broadband over cable; or expanded SD (and possibly HD) on digital terrestrial.


Carl Furgusson is VP of product management at TANDBERG Television.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 


Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...

Related Newsletter

HD Technology Update
A twice-monthly newsletter covering high definition technology through example applications.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top