MLB Network takes viewers out to the ball game

Feb 1, 2009 12:00 PM, By Michael Grotticelli

The network will broadcast 26 games in 720p HD during the 2009 season.

    
The MLB Network facility in Secaucus, NJ, features
several new HD studios, including Studio 3, where
its “MLB Tonight” highlights show will originate.
<br>
Photos by Andy Washnik/Corpricom.

The MLB Network facility in Secaucus, NJ, features several new HD studios, including Studio 3, where its “MLB Tonight” highlights show will originate.
Photos by Andy Washnik/Corpricom.

Major League Baseball (MLB) delivered the first pitch of its new MLB Network channel on Jan. 1 from a renovated facility once used by MSNBC in Secaucus, NJ. The MLB Network is available in 50 million homes. The 24/7 sports channel will broadcast 26 games live in the 720p HD format during the 2009 season. It will also feature a variety of original programming, produced in-house by the MLB Network staff and by MLB Productions, which develops original programming aside from actual games.

After considering several other options for its new home, the MLB Network set up shop in Secaucus with a multilayered, file-based infrastructure that builds on the facility's circa 1996 state-of-the-art digital production environment. The large 140,000sq-ft space is also securely tied into all 30 MLB ballparks around the country and will conduct two-way file transfers, some in real time, on a daily basis during the season.

Systems integrator The Systems Group was tapped to design, integrate and manage the massive facility rebuild under the guidance of broadcast operations consultant CBT Systems. They were careful to ensure that the facility meets the needs of the new MLB Network as well as its sister MLB Productions.

The completely revamped facility features 29 edit rooms (14 Apple Final Cut Pro workstations with surround-sound capability and 15 Thomson Grass Valley Aurora news editing systems), multiple Grass Valley K2 HD video servers, and two large studios, one of which contains a half-sized baseball infield complete with a mound, dugouts and scoreboards. New production space for MLB Productions includes the recommissioning of 15 additional Final Cut Pro edit suites and the addition of two Fairlight-based audio sweetening rooms.

The impressive and completely flexible Studio 42 (numbered for Jackie Robinson) includes a half-scale baseball field, where talent can perform interviews and MLB players can demonstrate their hitting and fielding skills. There’s also a bleacher area in the outfield, where a studio audience will sit.

The impressive and completely flexible Studio 42 (numbered for Jackie Robinson) includes a half-scale baseball field, where talent can perform interviews and MLB players can demonstrate their hitting and fielding skills. There’s also a bleacher area in the outfield, where a studio audience will sit.

Most systems initially went online in December for testing and rehearsal before the network went live in HD. The original plan, initiated two years ago, was to create a hybrid SD/HD plant with live games shot in the 16:9 aspect ratio. That plan has morphed into a 720p HD infrastructure that's now managed by an NVISION 576 × 1040 router, Miranda Kaleido-X multiviewer, a Grass Valley storage area network (SAN), Evertz modular equipment, an Omneon Spectrum server and a Pro-Bel Morpheus automation system.

Darrell Wenhardt, president of CBT Systems, said having to retrofit the new HD equipment into existing spaces made the installation more challenging than if they had started from scratch, but would not have been possible to achieve from the ground up. Everyone involved with the frenetic six-month build agrees. However, the fact that the facility was originally built for television production made the latest install more realistic given the time constraints.

IT-centric design

Interestingly, no production people were involved in the early stages of the design process, but several IT engineers were tasked with putting together a production platform that could support television, Internet and mobile TV services. The system design incorporates a 1.5Gb/s infrastructure that includes some 3Gb/s capable equipment. However, there are no plans to produce content in 1080p/60 HD anytime soon.

The result is a flexible file-based system that treats video as data that can be routed to any part of the building. Baseband video also has its place internally, for set monitoring and transmission, whereby files are distributed as ASI streams. This marriage of the two technologies is what makes the new facility shine.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 

Current Issue

Online captioning compliance

May 2012

The FCC has issued captioning requirements for all online video. Learn how to meet the requirements of the new rules and how to automate the technical process.

Read More articles...

Related Newsletter

HD Technology Update
A twice-monthly newsletter covering high definition technology through example applications.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Video Compression, Editing and Displays

Video Compression, Editing and Displays

Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

File Based Technology and Workflow

File Based Technology and Workflow

File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Sound Off Podcasts

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top