Vast distribution

May 1, 2009 12:00 PM, By Brian Stevenson

Use simultaneous multiformat encoding for efficient content repurposing.

             

While all of these benefits are advantageous operationally to the content provider performing the encoding, the speed of turnaround is particularly noteworthy, as timely availability of content is critical to audience acquisition and retention. Timeliness is particularly significant with news and sports content, but even extends to longer-form content such as episodic series.

Hardware and software

For an encoder to ingest content from a live or tape-based source, it must have at least a basic hardware component to interface to analog or SDI sources. But, precompression image processing and the actual compression itself may be performed in hardware or software.

Figure 2. Combination hardware/software encoders provide the flexibility of software — enabling different formats and video processing for each of multiple concurrent real-time outputs — with the quality and performance advantages of hardware for shared preprocessing.

Figure 2. Combination hardware/software encoders provide the flexibility of software — enabling different formats and video processing for each of multiple concurrent real-time outputs — with the quality and performance advantages of hardware for shared preprocessing.
Click to enlarge

Systems relying solely on hardware compression tend to be limited in the breadth of supported encoding formats. Even where the hardware supports multiple formats, it may only be able to do one at any given time. Furthermore, while compression formats such as MPEG-2 are relatively mature, newer formats such as H.264 are still evolving, and new formats continue to emerge. While most hardware-centric encoders are firmware-upgradeable with certain extensions of existing formats, more dramatic extensions or completely new formats may require new hardware. As such, these hardware-centric encoders are not well-suited to multiplatform, multiformat applications, but may be appropriate for usages targeting a single platform (such as a live satellite channel).

Systems that combine hardware and software in a common computing platform offer greater flexibility in the breadth and upgradability of compression and container formats, as enhancements and extensions can be applied through software updates. Beyond the formats themselves, software-centric encoders may also provide more flexibility and robustness in the features surrounding those formats. Examples include automated distribution of the resulting deliverables (such as publishing to a Web site, or file transfer to distribution partners), branding, and content protection or usage tracking through watermarking and DRM.

Optimal effectiveness in multiformat encoding can be achieved through a combination of hardware and software processing. (See Figure 2.) A key step in high-quality encoding is preprocessing — essentially grooming the source signal prior to compression. Deinterlacing, video noise reduction and filtering are all examples of preprocessing functions that can significantly improve the quality and bandwidth efficiency of the compressed output. Performing preprocessing in hardware enables the use of more sophisticated algorithms over what could be achieved in real time in software alone. Furthermore, even basic software preprocessing algorithms consume processing time on the host system's CPUs. By performing the preprocessing in hardware, more CPU processing power is left available for the actual compression, increasing the number of outputs that can be created simultaneously.

<strong>Frame Grab</strong> <em>A look at the issues driving today's technology</em><br>
Shipments of consumer HD electronics to rise<br>
A threefold increase from 2008 to 2012 has been predicted.

Frame Grab A look at the issues driving today's technology
Shipments of consumer HD electronics to rise
A threefold increase from 2008 to 2012 has been predicted.
Click to enlarge

Further contributing to efficiency in a hardware/software system, preprocessing settings common to all target outputs need only be applied once, with the preprocessing shared as input to all output compression algorithms.

Given the virtually limitless combinations of compression format, container, encoding parameters and quality settings for each deliverable, and unlimited number of deliverables, it's possible to exceed the real-time capabilities of even the most robust encoder. While systems comprised of integrated hardware and software may not have predetermined limits on the number of concurrent encodes, the CPU horsepower of the system imposes a practical limit. The number of simultaneous outputs the system can handle will vary depending on the combination of deliverables and the specifications of each. Advanced H.264 encoding, for example, is more computationally intensive than basic MPEG-2 encoding, so more outputs could be created alongside a full-resolution MPEG-2 than H.264.

When the desired combination can't be achieved in real time, workflow features of the encoder can still reduce the operational complexity and manual effort required. Automated features to ingest to an uncompressed or lossless intermediate and subsequently transcode it into the desired deliverables enable the desired results to be obtained without manual intervention. At the same time, it allows you to maintain the benefits of reduced equipment overhead, elimination of multiple playout passes and minimal operational effort.


Brian Stevenson is the director of product management for Digital Rapids.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 


Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...

Related Newsletter

HD Technology Update
A twice-monthly newsletter covering high definition technology through example applications.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top