Evolution of video monitoring displays offers more for less

Sep 1, 2009 12:00 PM, By Kim Templeman-Holmes

The next generation of video monitoring displays promises greater performance and value.

             

Networked and remote monitoring capabilities

Fausto Castillo gives a demo in the Wohler mobile truck during the 2009 NAB Show. The low power requirements of OLED monitors make them ideal for any cost-conscious broadcaster, and they feature a lighter weight and thinner design, which is desirable for mobile applications.

Fausto Castillo gives a demo in the Wohler mobile truck during the 2009 NAB Show. The low power requirements of OLED monitors make them ideal for any cost-conscious broadcaster, and they feature a lighter weight and thinner design, which is desirable for mobile applications.

The functionality integrated into video monitoring displays has evolved to meet the demands of digital broadcasting, and now there is a more apparent need for remote monitoring capabilities. In both audio and video monitoring applications, operators want to be able to dial up remote sites via IP and tap into multiple views simultaneously.

The ability to network video monitoring displays is a new requirement that brings much improved convenience to engineering staff. With the option of performing monitoring from an off-site location, engineers can check in on signals at any time of the day or night, from anywhere. Likewise, video and audio from an unattended site can be monitored from a central site, or even from the engineer's home. In any case, remote monitoring allows the broadcast station or group to call on its high-level engineering staff to look at one or more channels — without calling staff into the station. In addition to providing greater convenience, remote monitoring of video enables more effective leveraging of valuable technical staff in ensuring video quality around the clock.

Because the remote monitoring model relies on a separate IP address for each monitor, the implementation of this model is driven largely by contributions from the IT department, as opposed to broadcast engineers. As with many other areas of today's broadcast operations, remote monitoring is both driven and permitted by the station's reliance on IT-based systems and network infrastructure.

OLEDs enter the mainstream

In introducing new materials and display types, manufacturers of video monitoring displays are at the mercy of a limited number of suppliers who make the glass and screens. As these suppliers begin to develop new technologies that offer requested functionality at a price point the market will bear, manufacturers begin to bring to market new systems incorporating these innovations. The development of monitors based on OLEDs is an exciting advance in the industry.

OLEDs feature a light-emitting layer that incorporates a polymer base with organic compounds essentially printed in a matrix of pixels capable of emitting light in different colors. One significant reason that OLED technology is so appealing is that it offers a better contrast ratio than any other type of screen now on the market. This is because, unlike LCDs, the OLED does not require a backlight in order to function. An “off” OLED element produces no light and consumes no power.

The low power requirements of OLEDs make them ideal for any cost-conscious broadcast facility, and this factor, combined with their light weight and much thinner design, is especially appealing for the mobile market. As the mobile production trucks move toward smaller multiscreen video monitoring units rather than larger monitors, OLEDs are a natural choice. When dealing with the space constraints of a 16m expando trailer, and with heat and weight issues always a factor, engineers have a good deal to look forward to with OLED technology.

By emitting light directly, OLEDs enable a greater range of colors, gamut, brightness, contrast and viewing angles than do LCDs. So, in addition to being incredibly sharp, the OLED provides colors that zoom out at the viewer. The difference is clear to the professional and to the untrained eye. Because the display's pixel colors appear unshifted, even a person lying on the floor could look at the screen and still see the picture. The response time for OLEDs also is significantly better than that of standard LCD and plasma monitors.

Until recently, the shorter usable life of OLED materials limited their use, but advances in manufacturing have brought their life expectancy into the same range of many more conventional displays. The manufacture of large OLEDs also proved a challenge until recently, leading to their initial use only in smaller display applications. However, sizes for OLED HD screens now exceed 100cm, making their use in broadcast facilities for video monitoring applications a far more feasible proposal.

The possibility of printing OLEDs onto thin, flexible surfaces opens opportunities for more novel display applications. (Imagine a roll-up screen, for example.) But in the broadcast realm, the flexibility, quality and efficiency afforded by this technology offers real cost savings and practical benefits. Furthermore, as a growing number of broadcasters look to incorporate “green” technologies into their operations, whether for the sake of the environment or their bottom line, OLEDs serve as a green solution for video monitoring.

Final considerations for today's displays

When asked what they'd like to see in a video monitoring display, engineers will respond — only half-joking — that they'd like it to power up and show a good picture consistently. Indeed, the life of the screen is a real concern. While video monitoring displays provide a host of on-screen tools for image analysis, the systems' fundamental utility and value depend on their reliability and their life expectancy. Two different products may look identical and offer the same feature set, but the life of the glass will determine just how long each will be of use to the broadcaster. Because there is no bad monitor on the market today, it's more important than ever that broadcasters examine the quality and long-term performance of new video monitoring displays.

While common video monitoring displays have, across the board, improved in value and functionality, the industry also has seen improvements in higher-end evaluation-grade monitors. Whereas 6-bit and 8-bit systems were the standard, new Grade 1 systems feature support for more than 1 billion colors and 10-bit drivers that introduce even more accurate colorimetry and picture quality. These more expensive reference monitors are required only for select applications, numbering only a few in a facility boasting thousands of monitors. All the same, these video monitoring displays also provide broadcasters with unprecedented quality and capabilities.

Summary

When compared with the video monitoring displays of just two years ago, today's monitors and their wide array of features are downright amazing. Manufacturers (and their suppliers) have responded to broadcasters' demands for improved quality and functionality, all for less. Bringing innovation to market, introducing efficiencies that enable greener and more cost-effective operations, taking advantage of IT-based broadcast systems and infrastructure, and adding convenience to day-to-day monitoring work, manufacturers have made it much easier for broadcasters to adapt their monitoring activities to the overall demands of their business model.


Kim Templeman-Holmes is vice president of global sales and marketing at Wohler Technologies.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 


Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...

Related Newsletter

Transition to Digital
A twice per month tutorial on digital technology.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top