Doubts emerge over New York City broadcast tower

Feb 7, 2005 8:07 PM, Transition to Digital e-newsletter

    



A number of technical hurdles could force NYC broadcasters to look elsewhere for a permanent DTV home, although the 2000ft Freedom Tower (pictured) is still under consideration.

Will New York City broadcasters get a new antenna tower to replace facilities lost during the destruction of the World Trade Center on 9/11?

Until recently, the offset spire planned at the top of Freedom Tower — a conscious 21st-century echo of the Statue of Liberty’s upraised arm — was described by architect Daniel Libeskind as the most important remaining element from his largely unrealized design for the signature skyscraper of the new World Trade Center.

The spire, conceived as the world’s tallest building (1776ft; 2000ft with broadcast antenna attached), has survived in renderings and words. Now there are doubts. As construction nears and multimillion-dollar budgets are negotiated, the New York Times reported that the realities of engineering and financing may finally overtake the symbolic architectural gesture devised by Libeskind and embraced by New York Gov. George E. Pataki.

If the tower goes, so go the plans of New York City’s broadcasters. In fact, it’s the technical hurdles that the spire poses for broadcasters that are a big, costly part of the problem.

The Times said the planners are now asking themselves these questions:

  • With the antennas off to one side, would the building itself create too large a shadow for the broadcast signal?
  • Would the signal be compromised because of the distance the transmission cables have to travel from the central building core to the antennas at the tower’s edge?
  • How would an eccentrically located spire behave in high winds?
  • How safe would it be to build such a spire, itself several hundred feet tall, when it cannot easily be secured to all four corners of the building below?

  • How much extra structural reinforcement would be required in the main body of the tower to accommodate an outboard spire?
  • Assuming that the spire would be nonmetallic to avoid interfering with the broadcast signal, what sort of precedent is there for construction with composite materials on that scale and at that elevation?

All the questions can be answered and all the engineering problems solved, the Times report said. But the cost to do it will be very high.

According to the newspaper, no one at the negotiating table will publicly answer these questions, including Paul Bissonette, president of the Metropolitan Television Alliance. The group, which includes New York City channels 2, 4, 5, 7, 9, 11 and 13, signed a memorandum of understanding in 2003 with the developer, Larry A. Silverstein, to install antennas atop the Freedom Tower. Broadcasters have used the Empire State Building since 9/11.

The alliance had considered building a 2000ft freestanding broadcast mast in Bayonne, N.J. But Edward Grebow, who was then the alliance president, was persuaded that the construction of Freedom Tower would occur “in a plausible time frame” and accommodate the broadcasters’ needs.

Over the following months, the tower design changed considerably. So have the questions. Officials now want to know if the offset spire comes with an extra cost, should New Yorkers pick up the tab? Or should the broadcasters pay, recognizing that they have saved money by not having to build their own skyscraping mast in New Jersey?

Back to the top





Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 

Current Issue

Online captioning compliance

May 2012

The FCC has issued captioning requirements for all online video. Learn how to meet the requirements of the new rules and how to automate the technical process.

Read More articles...

Related Newsletter

Transition to Digital
A twice per month tutorial on digital technology.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Video Compression, Editing and Displays

Video Compression, Editing and Displays

Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

File Based Technology and Workflow

File Based Technology and Workflow

File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Sound Off Podcasts

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top