Metadata: Unlock the potential of Internet video

Feb 1, 2009 12:00 PM, By Sam Vasisht and Patrick Donovan

             

Internet video is all the rage among consumers, and publishers, broadcasters and advertisers are all eager to catch this wave. Internet video is projected to be the majority of consumer Internet traffic in the coming years, and the Internet a significant distribution medium for video. Paradoxically, publishers are facing challenges in monetizing Internet video despite consumer demand.

The Internet differs from traditional means of distribution. Much of the value propositions of the Internet as a distribution medium have not been recognized and used toward the strategic goals of video publishers.

Metadata is the linchpin to unlocking this value. With high-quality metadata, content publishers can create video experiences integral to Internet audiences and new monetization schemes around these experiences, including advertising. Metadata enables the following and more:

  • search, both at a file and scene level;
  • multiple navigation paths within or across different videos in a manner that users are accustomed to in Internet navigation;
  • clip and playlist creation for exploiting viral sharing and social networking trends;
  • dynamic and targeted programming to create higher user engagement;
  • precise targeted advertising tailored to user behavior; and
  • accurate reporting and analytics critical to advertising and monetization. (See Figure 1 on the bottom of page 2.)

Metadata is the third key element of video production, after video and audio. While metadata is critical to the success of Internet video strategies, costs associated with authoring metadata are insignificant to the overall costs of video production.

Metadata quality must be assured to deploy successful Internet video strategies. High-quality metadata is written by humans as opposed to automated. While automated schemes are neither sufficiently accurate nor reliable, they also do not allow the programming choices possible with human authored metadata. At the same time, such metadata can be added to video even after video has been published, creating new use cases and programming options.

Such high-quality metadata cannot be an afterthought or, worse, overlooked. Successful Internet video strategies may well rest on suitably authored metadata and metadata management systems.

Metadata applications

It is also important to understand that metadata is not a single attribute of video, but rather serves multiple purposes. Among these, it creates new avenues for creative expression by video publishers and new models of advertising. It also allows for increased advertising and programming options, as well as increased new consumer video experiences.

Let us consider a few examples of video programming that have been tailored for Internet audiences using metadata:

  • Dynamic ad insertion and flexible ad logic Implementations of metadata for dynamic advertising and flexible advertising logic enable broadband video publishers to enhance how they monetize their video libraries by creating structured metadata that describes each meaningful scene within the original source videos. This metadata defines the optimal in-stream video ad insertion points, allowing publishers greater control and flexibility with their advertising strategies. In addition, the ads served in the precise insertion points can be targeted by third-party ad providers based on the scene metadata, such as character name, player name, topic and keyword. Banner or overlay ads can also be targeted based on the rich metadata. As a result of this greater ad logic flexibility, rather than just pre- and post-rolls for each asset, publishers can set their ad logic to use the midroll insertion points. The publisher sets the ad timer, and the ad plays at the next available insertion point, no matter what asset or scene is being viewed, after the timer has expired. The result is that the viewer has the freedom to sample more assets and navigate directly to the most interesting scenes, while the publisher can monetize that experience in the most effective way possible.
  • Search, clips and playlists Extreme Outdoor Network (www.xontv.tv), which specializes in outdoor video such as hunting and fishing, realized that having rich metadata for each scene within its 60min videos would allow the viewer to search or jump right to their favorite segment by species, weapon, location and so on.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 


Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...

Related Newsletter

Mobile TV Update

will provide key insight into the vendors, technology, regulations and business side of this new and exciting opportunity.

Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top