Access Hollywood installs FOR-A fame Synch/TBC devices

Mar 7, 2005 4:38 PM, Beyond The Headlines e-newsletter

    

NBC’s “Access Hollywood” has installed a frame synchronizer/time base corrector from FOR-A to streamline the show’s time synchronization without any video break-up or lip-sync errors to the signal received at the show's studio in Burbank.

Erick Diaz, technical manager at “Access Hollywood,” said that the FOR-A FA-395 frame synchronizer/time base corrector locks the incoming signal to their production switcher, so that the operator can playback video in the show, do cuts, wipes, and dissolves without any reference locking issues.

“Access Hollywood” was left without a dedicated frame sync for incoming satellite feeds when it moved in July 2003 from its home in Studio 5 to a renovated and digitally upgraded Studio 1.

The new frame sync is connected to one of the show’s dedicated master grid feeds, which are analog. The analog output of the FA-395 is then fed to an analog-to-digital converter before hitting the digital video switcher.

The FA-395, which supports analog composite, analog component, digital component, digital audio, and analog audio I/O, also features audio delay capability in the 1RU unit.

For more information, visit www.for-a.com.

Back to the top





Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 

Current Issue

Online captioning compliance

May 2012

The FCC has issued captioning requirements for all online video. Learn how to meet the requirements of the new rules and how to automate the technical process.

Read More articles...

Related Newsletter

Transition to Digital
Provides readers with weekly timely updates on FCC actions, industry news, and station build-out schedules.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Video Compression, Editing and Displays

Video Compression, Editing and Displays

Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

File Based Technology and Workflow

File Based Technology and Workflow

File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Sound Off Podcasts

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top