Newsroom technology



A-Channel improves workflow



CHUM Television’s A-Channel in Barrie, Ontario, decided it was time to replace its aging Ampex analog production switcher. One of the design goals was to improve workflow within the control room while enhancing the station’s news product. The news production staff in Barrie also function as the ENG crew. To enhance the value of the station’s news content, this staff needed to spend more time on location and less time in the control room.

In 2003, CHUM’s engineering team began investigating new technologies in control room design and workflow. It discovered emerging technology in production control automation. Unfortunately, the product offerings at that time did not provide the facility the flexibility to manage the significant number of incoming feeds it used, up to seven feeds during any newscast. Also, the existing automation solutions only worked in a tapeless environment, and the station was tape-based, and new servers were not in the budget.

In 2004 Ross Video launched the OverDrive production control system, which was selected for the new facility. OverDrive is a Windows-based control system that allows live news production to be run manually, semi-automated or fully-automated at any time. It also provides an MOS LiveLink to the Avid iNews rundown, allowing for instantaneous rundown changes to be reflected from the newsroom to the production control system. It also integrated easily with A-Channel’s Ross Synergy digital production switcher.

To process the large number of external remote feeds, the facility chose a Leitch NEO system for frame synchronization. NEO allows the production staff to monitor and perform on-the-fly quality control adjustments on 18 external feeds simultaneously. The OverDrive system manages audio level adjustments for live quick hits from the field. The combination of these technologies enhances the facility’s ability to produce more high-quality content in the field.

In addition to the many technical achievements on this project, there were two significant logistical hurdles to overcome. First, unlike most new production control rooms, which are designed to be compact and minimalist, the A-Channel control room was built to be both a production and shooting environment. To accommodate this flexibility, the new facility was designed with professional studio lighting, good acoustical quality and well-thought-out camera positions. This design allows the facility to produce news that is consistent in look with all CHUM productions across Canada.

The second major challenge was the complete re-branding of the station, including new graphics, promos and set design. Despite the initial challenges, the cooperation among internal and parent company staff along with a professional partnership with many key vendors ensured a successful completion of the project.

Design Team Technology at Work
CHUM Television: 360 Systems Image Server 2000
  Bruce Cowan, dir. broadcast tech. Avid iNews control system
  Lane Steinhauer, mgr broadcast eng. : Leitch NEO frame synchronizers
  Debbie Greg, eng. technologist Pinnacle Deko 3000 CG
A-Channel: Ross Video:
  Brian Cathline, mgr. of tech.   OverDrive production control system
  Kirk MacGregor, mgr. live operations   Synergy 3 SD digital production switcher
Ross Video:   Kondor routing switcher
  Brad Rochon, OverDrive product mgr.   RossGear digital and analog conversion and distribution equipment
RTS Adam intercom system
Yamaha 02R96 audio consolesstem

Previous article Next article


Current Issue

Online captioning compliance

May 2012

The FCC has issued captioning requirements for all online video. Learn how to meet the requirements of the new rules and how to automate the technical process.

Read More articles...

Related Newsletter

Transition to Digital
Provides readers with weekly timely updates on FCC actions, industry news, and station build-out schedules.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Video Compression, Editing and Displays

Video Compression, Editing and Displays

Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

File Based Technology and Workflow

File Based Technology and Workflow

File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Sound Off Podcasts

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top