NHK details higher definition TV

Jun 7, 2004 12:00 PM

             

Japanese national broadcaster NHK is working on ultra high definition video (UHDV), a technology being billed as a successor to today’s HDTV.

UHDV has a resolution 16 times greater than conventional HDTV, and its stated goal is to achieve a level of sensory immersion that approximates actually being there.

At a picture size of 7680x4320 pixels — that works out to 32 million pixels —UHDV’s resolution leaps frogs even that of high-end digital still cameras. HDTV, by comparison, has about two million pixels, and standard-definition TV about 200,000 (and only 480 lines of horizontal resolution versus 4000 with UHDV). The format’s beefed-up refresh rate is 60 fps (twice that of conventional video) and includes more than 20 channels of audio.

The UHDV standard is not targeted to homes, but for presentation applications in museums, hospitals, shopping malls or other venues where a high representation of detail is desired.

The standard, said NHK, is still in the early stages of development. UHDV will take many years, according to Fumio Okano, a researcher with the network. But he noted that NHK began work on the current HDTV standard in 1964, and the first high-definition content arrived only in 1982.

John Lowry of Lowry Digital Images, an imaging company in Burbank, CA, told the Times resolution is only one of the key measurements. Perhaps even more important than pixels, he said, is the dynamic range of an image, which is measured in terms of contrast ratio. The eye can perceive contrasts between the brightest white and the darkest black of roughly 100,000 to one, whereas today’s best projectors can only muster levels of about 4000 to one.

So while current projection technology cannot meet the demands of UHDV, the standard excels in other crucial areas, such as breadth of view. While both UHDV and HDTV use the widescreen 16:9 aspect ratio (standard TV uses 4:3), HDTV offers only a 30-degree field of view horizontally, whereas UHDV’s massive screen size expands this to about 100 degrees, said Okano, who said his research indicates that this angle is where immersive sensation peaks.

In developing UHDV, NHK has also focused on sound. The standard calls for 22.2 sound: 10 speakers at ear level, nine above and three below, with another two for low frequency effects. It is a setup that is well beyond the level of the 5.1 surround systems currently in use.

All those sound channels and image pixels add up to a massive amount of data. In test, an 18-minute UHDV video consumed 3.5TBs of storage (equivalent to about 750 DVD’s). The data was transmitted over 16 channels at a total rate of 24 Gb/s per second, thousands of times faster than a typical DSL connection.

Back to the top





Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 


Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...

Related Newsletter

Transition to Digital
Provides readers with weekly timely updates on FCC actions, industry news, and station build-out schedules.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top