EBU, AMWA demonstrate FIMS at NAB Show

May 4, 2011 10:54 AM, By David Austerberry

    

The Advanced Media Workflow Association (AMWA) and the European Broadcasting Union (EBU) are continuing to conduct joint activities within its FIMS (Framework for Interoperable Media Service) Task Force. The effort between the EBU and the AMWA seeks a common approach to integrate hardware and software components in modern TV production facilities and is believed to be a fundamental need of the whole media industry.

The demonstration at the 2011 NAB Show showcased the fruits of the work so far, with a sample workflow that included many typical operations such as ingest, capture, craft editing and file movement, all within FIMS. Participating vendors included Avid, Cinegy, Cube-Tec, IBM, RadiantGrid and Sony, supported by Harmonic, Harris, Mesclado, RAI, Red Bee Media, Snell, StorerTV and Tixel, with IBM and Sony providing the orchestration engines

“We had a fantastic response, the best I have seen since we started demonstrating AAF 10 years ago,” said Brad Gilmer, executive director of the AMWA.

There may be some who would think that such systems are only for major broadcasters and networks, but Gilmer explained how FIMS was for the benefit of all media companies from the small shop up to the multinational media companies.

“A small facility with three or four ingest stations could put together a system with RESTful services and a few Web apps to manage services like ingest and file transforms,” he said. One of the aims of the FIMS project is to develop standard adaptors for common services, rather than having to deal with custom APIs, as is the case today.

FIMS is designed to break down broadcast operations into atomic services, like ingest. The loose coupling of a service-oriented architecture (SOA) means that the capabilities of the system can be adapted to business needs by plugging in new services. A single device could offer one or more services, but use standard adaptors. This loose-coupled approach makes it easy to update facilities. For example, two devices offering different services could be upgraded to one device offering both services with no need for coding, scripting or other customization. The business needs will drive the system, not the technical issues of interfacing disparate applications.

A large broadcaster could buy a fully featured system, with orchestration engines, and enterprise-scale middleware, but use those same adaptors to call common services like ingest, file movement or transform. The small shop doesn’t need the service discovery and registration of a large system, so it can manually configure its encoder or transcoder. So, the concept of FIMS is a system for all media companies, big or small.

A service does not have to be automated: Human services like craft editing or color grading could just as easily be RESTful services. That way the creative personnel tap into a technical infrastructure that can handle automated tasks in the background, like publishing an HD master to varied file resolutions and codecs.

The joint FIMS Task Force aims to create a similar sea change in industry practices as the SMPTE/EBU Task Force did that led to MXF. The first iteration of FIMS is slated for June 2011, with three sample service adaptors (ingest, transform and movement) one month later.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 

Current Issue

Online captioning compliance

May 2012

The FCC has issued captioning requirements for all online video. Learn how to meet the requirements of the new rules and how to automate the technical process.

Read More articles...

Related Newsletter

Transition to Digital
Provides readers with weekly timely updates on FCC actions, industry news, and station build-out schedules.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Video Compression, Editing and Displays

Video Compression, Editing and Displays

Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

File Based Technology and Workflow

File Based Technology and Workflow

File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Sound Off Podcasts

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top