Fairlight Pyxis-MT debuts on ‘Ellen DeGeneres Show’

Oct 26, 2008 2:37 PM

    
“Ellen” sound mixer Terry Fountain and Fairlight's Philippe Guichard show off the new Pyxis-MT system.

“Ellen” sound mixer Terry Fountain and Fairlight's Philippe Guichard show off the new Pyxis-MT system.

Award-winning sound mixer Terry Fountain is using Fairlight’s new Pyxis-MT on “The Ellen DeGeneres Show,” syndicated nationally by Warner Bros. Television. Pyxis-MT is a versatile audio and video capture, playback and file transfer system that acts as a full-featured HD nonlinear recorder/player with a 192-track audio recorder. The system can record up to 96 tracks of sample-locked, floating-point audio along with HD video. HD and tapeless, the facility was specified by consultant David Crivelli for Telepictures on Stages 1, 2 and 3 of the Warner studios and built and engineered by systems integrator National Teleconsultants.

To ensure that the show captures the excitement of the on-stage performances, rehearsals are shot in sequence in real time, with the Fairlight capturing 48 tracks of audio along with video. The mixer, along with the music guest engineer, can replay the rehearsal and modify EQ, balances and dynamics of every input until all parties are happy. These parameters are then saved for use during the recording of the show, virtually eliminating the need for remixing while still allowing adjustments should there be any issues from the guest artist.

The Pyxis-MT is connected via MADI to a Studer Vista mixing console, where the final mix is carried out. Post production can instantly locate the exact point where a remix is required, make changes, copy/paste with time stamp and export as necessary. This allows editors to seamlessly drop the newly mixed audio back into the timeline prior to the delivery of the show for air. In addition, the system includes a Blackmagic Design HDLink video card that makes it easy to archive and retrieve audio and video from previous shows if the material needs to be repurposed. Because the Fairlight has video capabilities built in, there is no need to repurpose video servers to work with the workstation for video accompaniment.

For more information, visit http://www.fairlightus.com/products-pyxis.html.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 

Current Issue

Online captioning compliance

May 2012

The FCC has issued captioning requirements for all online video. Learn how to meet the requirements of the new rules and how to automate the technical process.

Read More articles...

Related Newsletter

Transition to Digital
Provides readers with weekly timely updates on FCC actions, industry news, and station build-out schedules.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Video Compression, Editing and Displays

Video Compression, Editing and Displays

Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

File Based Technology and Workflow

File Based Technology and Workflow

File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Sound Off Podcasts

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top