FCC orders frequency changes for wireless microphones

Jan 21, 2010 11:39 AM, By Michael Grotticelli

             
Many sports production companies had hoped to maintain some part of the 700MHz spectrum for wireless microphones in crowded RF environments like outdoor stadiums.

Many sports production companies had hoped to maintain some part of the 700MHz spectrum for wireless microphones in crowded RF environments like outdoor stadiums.

Sports production companies must change the radio frequency they use for their wireless microphones under an order issued last week by the FCC. The groups have until June 12 to find alternative radio frequencies — a task that could cost hundreds of thousands of dollars for each organization.

The FCC’s ruling is part of a national shift on the reallocation of bandwidth, which some say will soon be in short supply due to the increasing use of mobile telephones and wireless computers. The commission said the wireless microphone transition is necessary to make spectrum in the 700MHz band available for use by next-generation wireless services for consumers and public safety agencies.

Many sports production companies and others had hoped to maintain some part of the spectrum and had argued their use of it would not interfere with new devices. Their arguments did not deter the FCC. Much of spectrum used by wireless microphones was licensed for around $20 billion by major wireless carriers.

Public Knowledge, a consumer advocacy group, said the commission’s order was important because the spectrum vacated will be used by entrepreneurs seeking to come up with new wireless services.

Shure, a major manufacturer of wireless microphones, said it was ready to help users of wireless microphones with the new rules that go into effect after June 12. “We’re pleased that the FCC has issued a firm transition date for 700MHz wireless equipment,” said Mark Brunner, Shure senior director of global brand management. “In anticipation of the post-DTV transition UHF landscape, Shure has been moving its product lines away from the 700MHz band for the better part of a decade, and in recent years, we have increased our information outreach to the user community, including very attractive trade-in rebate programs.”

Shure has not sold equipment that operates in the 700MHz band since 2007, although many of these units remain in service. More information about the Shure components that operate in the 700 MHz band can be found here.

Wireless microphones, in-ear monitors and other professional wireless devices will continue to be permitted in the remaining UHF TV band (470MHz–698MHz). Existing 700MHz equipment should be replaced with systems operating in that range or in other parts of the spectrum. Additional details relating to the FCC’s order and its implications for wireless systems users can be found here.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 


Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...

Related Newsletter

Transition to Digital
Provides readers with weekly timely updates on FCC actions, industry news, and station build-out schedules.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top