FCC prohibits wireless mics in 700MHz band after DTV transition

Aug 25, 2008 3:14 PM

             

The FCC has voted unanimously to ban the use of wireless microphones and other devices in the 700MHz band after the transition to digital television Feb. 17. Also included in the FCC order is equipment for cue and control communications and that synchronizes TV camera signals.

The FCC also wants to prohibit the manufacture, import, sale or shipment of devices that operate as low-power auxiliary stations in the 700MHz band after the transition is complete. Anticipating the decision, wireless microphone vendors like Shure have not manufactured such mics since the end of 2007.

Wireless microphones have long been sharing the spectrum with broadcasters on Channels 52 through 69. Those channels, however, are being reclaimed for advanced wireless uses by industry players and first-responders after the transition to DTV.

Responding to consumer groups, the FCC Enforcement Bureau has opened an investigation into how manufacturers market wireless microphones to users.

The Public Interest Spectrum Coalition alleged in a complaint last month that users of wireless microphones, including Broadway stage shows and large churches, are unwittingly violating FCC rules that require licenses for the devices. The group accused wireless manufacturers of deceptive advertising in how they market and sell the microphones, which largely operate in the same radio spectrum as broadcast TV stations.

Most wireless microphone owners are unaware that FCC rules require them to obtain a license. Wireless microphones that operate in the same frequency bands as broadcast TV stations are intended for use in the production of TV or cable programming or the motion picture industry, according to FCC rules.

The FCC rarely enforces the licensing requirements on the microphones because there have been so few complaints; the microphones are programmed to avoid TV channels. However, transition to digital broadcasting has forced the FCC to act.

It’s not known how many wireless microphones are in operation, but Harold Feld, an attorney for the Media Access Project, said the total is likely more than 1 million. “These are the favored frequencies because they can be run at lower power and can be used for very high-quality audio,” Feld told the Associated Press.

The wireless microphone issue stems from the FCC’s consideration of using the spectrum between TV channels for transmitting wireless broadband signals. Consumer groups and some of the nation’s largest technology companies say these “white spaces” represent enormous potential to make broadband more accessible.

Wireless microphone users and manufacturers have objected to the FCC over future white space devices because of fears of interference, even though many of them haven’t been granted government licenses for the microphones they’re using.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 


Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...

Related Newsletter

Transition to Digital
Provides readers with weekly timely updates on FCC actions, industry news, and station build-out schedules.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top