Modern VideoFilm, a post-production facility serving the Hollywood feature film community, has taken delivery of three 4K Pablo on iQcolor correction/DI systems. The purchase allows Modern to serve an ever-growing number of high-end projects with end-to-end digital intermediate processing in a choice of resolutions.
The three new Pablo systems are now operating alongside Modern’s three 2K iQs, raising the facility’s total Quantel DI arsenal to six. All six are being used on feature film post-production and DI work.
In addition, Modern’s Quantel iQs are critical to such post-production tasks as pre‑visualization, letting directors build timelines with placeholders, review shots and see low‑res 3D in context before CGI rendering. The iQs also allow easy integration of visual effects, whether created at Modern or imported from various high-end visual effects houses.
This eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.
File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media
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2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.
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