Lawo’s mc²66 audio mixing console is at the audio heart of a new 14-camera, HD/SD TV OB van owned by Triofilm, a technical service provider of TV broadcasts. Triofilm operates mainly in the field of sporting events, such as the World Cup. In addition, TV shows are often produced using Triofilm’s mobile control rooms.
The 16+8+16 console, featuring a Broadcast Solutions panel fitted in the control surface, has a capacity of 2 x 48 DSP channels. The console’s core provides up to 128 AES I/Os, 128 analog inputs, 56 microphone inputs and 138 analog outputs. The MADI-redundant stage boxes comprise three DALLIS frames that can be positioned anywhere on the production stage. Their PSUs also have built-in redundancy.
This eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.
File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media
Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.
2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.
Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.
