Writers’ strike quickly impacts TV production

Nov 12, 2007 10:55 AM

             

In less than a week, the writer’s strike began having an impact, shutting down television productions that depend on topical material. Among the first to go into reruns were Comedy Central’s “The Daily Show” and “The Colbert Report,” as well late night staples including “The Late Show with David Letterman” and “The Tonight Show with Jay Leno.”

Prime-time programming was affected on a show-by-show basis. Some scripted dramas and sitcoms will remain in production since producers have stockpiled scripts that will last through the first of the year. After that, they will shut down as well.

Other prime-time fare, including a half dozen sitcoms, didn’t make it past the first week of the strike. Fox said it would indefinitely postpone the start of the seventh season of “24” to ensure an uninterrupted 24-episode season. NBC’s “Law & Order: Special Victims Unit” wrapped production last week after it ran out of new scripts. ABC’s “Desperate Housewives” also ended production last week.

Original episodes of NBC’s comedy “The Office” will stop after the Nov. 15 show. Production of the show was shut down after the writers, several of whom are also actors on the show, began picketing, and Steve Carell, the lead actor, refused to cross the lines.

In many cases, writers who also serve as executive producers of their shows — known as show runners — had to contend with divided loyalties. As members of the Writers Guild, they were on strike against their own shows.

However, as producers, they are were expected by the networks and studios to perform their contractual duties, like editing episodes that are already filmed and casting episodes that have not been filmed yet. Some show runners, like Shawn Ryan of “The Shield” on FX and “The Unit” on CBS, refused to perform any of their editing duties while on strike as a writer.

Last week, two studios — 20th Century Fox and CBS Paramount — sent breach-of-contract letters to show runners who stopped performing when the strike began, the “New York Times” reported.

Fox notified the writer-producers that their pay was being suspended in response to their failure “to report to work and render their nonwriting producing services.”

The more than 12,000 members of the Writers Guild West and the Writers Guild East went on strike just after midnight on Nov. 6. The most contentious issues at dispute is how much writers should be paid when their programs and movies are shown on DVD, the Internet, and new-media devices like mobile phones and iPods.

The strike issues are especially important because any resolution will also affect the contracts of actors and directors, whose contracts will expire next year.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 


Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...

Related Newsletter

Transition to Digital
Provides readers with weekly timely updates on FCC actions, industry news, and station build-out schedules.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top