Cablecam gives Daytona 500 fans a unique HD perspective

Feb 25, 2005 3:33 PM, Sports Technology Update e-newsletter

    



Cablecam moved anywhere within a rectangular box between the front stretch and pit road for FOX Sports’ coverage of the Daytona 500. (Photo courtesy of Jim Rodnunsky, Cablecam.)
Fresh off its performance at Super Bowl XXXIX, Cablecam, an 80lb. high-definition camera, successfully played a role in FOX Sports’ telecast of the Daytona 500.

Suspended by a system of cables, pulleys and computer-controlled winches 30ft above ground, Cablecam is a mobile, gyro-stabilized HD aerial camera that moved anywhere within a rectangular box between the front stretch and pit road at Daytona International Speedway. The area included the start/finish line and covered about 250,000sq ft.

Cablecam required two operators - a pilot that used a joystick to fly the remote-controlled camera and a technician who operated the camera – to pan, zoom and focus the lens at the discretion of Director Artie Kempner.

The aerial camera provided unique, intimate shots of the cars and drivers as they passed through the start/finish line and along pit road. Kempner said it took viewers where they previous had not been. Built-in redundancies assured safe Cablecam operations.

The cables used in the system were just 1/8in thick and were made of a synthetic rope that can support up to 2600lbs. They were suspended from two 120ft towers erected in the infield and connected across pit road, the infield grass, and front straightaway to the grandstand.

Cablecam International of Los Angeles provided the system.

Back to the top





Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 

Current Issue

Online captioning compliance

May 2012

The FCC has issued captioning requirements for all online video. Learn how to meet the requirements of the new rules and how to automate the technical process.

Read More articles...

Related Newsletter

News Technology Update
A twice-monthly newsletter covering the equipment used to produce the news.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Video Compression, Editing and Displays

Video Compression, Editing and Displays

Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

File Based Technology and Workflow

File Based Technology and Workflow

File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Sound Off Podcasts

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top