WLOS broadcasts 30 hours of HD news weekly with Kahuna production switcher

Aug 20, 2009 9:54 AM


             
WLOS in Asheville, NC, is using the Snell Kahuna to televise more than 30 hours of HD news per week.

WLOS in Asheville, NC, is using the Snell Kahuna to televise more than 30 hours of HD news per week.

WLOS, the Sinclair Broadcast Group-owned ABC affiliate in Asheville, NC, and serving the western Carolinas, is driving its newly launched HD newscast with a Snell Kahuna SD/HD multiformat production switcher.

WLOS began its HD news broadcasts in September 2008 and is now airing 30.5 hours of HD news every week. The station added the Kahuna as a result of Sinclair's decision to standardize all of its news operations on the multiformat switcher. In preparation for the HD news shows, WLOS upgraded its control room equipment to include new graphics and clip playout systems as well as Panasonic HD cameras. It continues to rely on SD equipment for outside content.

WLOS chose the Kahuna as a solution for delivering HDTV services quickly and affordably. The Kahuna lets the station mix content from its SD sources seamlessly into the HD broadcast without having to purchase upconversion equipment or adopt a more complex system design.

"We needed a multiformat solution that would allow us to continue to use our SD sources, which we will be relying on for the foreseeable future, and the Kahuna switcher fit the bill perfectly," said WLOS chief engineer Rollin Tompkins.


Want to use this article?
Click here for options!
Get Copyright Clearance


blog comments powered by Disqus

Related Newsletter

News Technology Update
A twice-monthly newsletter covering the equipment used to produce the news.

Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 

Browse Back Issues

Featured White Papers

A Mechanism to Recover Lost MPEG / IP Delivery Data in Real Time

sponsored by: Sencore

In the ever advancing world of media content delivery, MPEG over IP (MPEG/IP) has been gaining popularity for a number of reasons. MPEG/IP delivery offers lower costs, higher bandwidth, greater efficiency, and new application possibilities over the traditional methods, such as: Asynchronous Transfer Mode (ATM) and RF networks. Along with the benefits, come a number of challenges. One of the biggest challenges is a mechanism to recover lost data in real-time. This paper will attempt to shed some light on the inner workings of the real-time data recovery mechanism: Pro-MPEG Code of Practice #3 Forward Error Correction (CoP#3 FEC). Read Now

Increase Multi Camera Studio Production with Instant Tapeless Technology

sponsored by: EVS

This white paper introduces you to EVS Instant Tapeless Technology and will explain how to apply it in multi-camera studio production for dramas, series, talk shows, and any other studio productions.... Read Now.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Forums Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

 

Back to Top