Post-Production

Post-Production

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4K or 3D? The future remains unclear

Readers provide their views on how 3D and 4K technologies may arrive in their plans.

Read and Discuss

May 14, 2013

Article

Only one in five TV stations are connected to the cloud

Cable stations and production/post facilities are the early adopters of cloud technology....More
May 13, 2013

Article

Yomiuri TV upgrades workflow with Grass Valley file-based solution

Deployment includes EDIUS, K2 SAN with K2 Summit 3G, HDWS turnkey workstations with Storm 3G Elite, and GV STRATUS, and the largest roll-out of K2 SAN systems in Japan....More
May 11, 2013

News

Stock images help make stories more visually appealing

Stock images from Shutterstock provide economical impact for Bellum’s "On the Spot" series....More
May 11, 2013

News

Harmonic presets optimized for Netflix

The new collaborative transcoding presets for ProMedia Carbon provide content operators greater assurance when delivering content to Netflix....More
May 3, 2013

Article

ChyronHego introduces Mosaic broadcast graphics platform

Built on the latest Intel and NVIDIA architecture, Mosaic’s graphics engine is well-suited for live news, sports, entertainment and OB productions....More
May 3, 2013

Article

Brainstorm showcases Aston 3D graphics creation system at NAB

Aston 3D is a complete and comprehensive graphics system built to be the center of any design department....More
May 1, 2013

News

NewTek’s TriCaster delivers online results

The UK National Lottery Online has only one chance to get it right....More
May 1, 2013

News

ToolsOnAir modernizes media workflow in Boston

BATV implements ToolsOnAir as part of a 21st century workflow....More
May 1, 2013

Article

Broadcast Engineering

Color grading

Being a brilliant editor and colorist doesn’t mean much if no one will air your product. Waveforms and vectorscopes can help produce a legal, color-balanced product, without any unwanted color cast....More
May 1, 2013

Article

Broadcast Engineering

VDS’ Streamliner

VDS has developed an enhanced version of its Promotor system for automating broadcast graphics. This new system, called Streamliner, uses an internal rules engine and robust interface-to-station automation to send standard or custom SCTE104 messages to a VANC inserter, with the messages interpreted downstream by a streaming encoder/splicer....More