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BRIDGING NETWORKSPART 1This two-part article provides an overview of new and innovative solutions for delivering local content using advanced, multiplexing technology to bridge... |
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Video monitorsAssuring broadcast quality demands high-performance audio and video monitoring. Loudspeakers do not present a problem; specialist monitoring speakers... |
Network addressing
Every engineer working with media these days should understand the basics of network addressing, and most of them do. But, network addressing is one of...
HDMI: plug and pray
HDMI, ubiquitous on a wide range of televisions and other consumer electronics equipment, is becoming established in the professional video world. You'll...
Frame-rate conversion
Frame-rate conversion is necessary almost always. It is needed in cinema when projecting 24fps material at 48fps or 72fps. In post-production, it comes...
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WABC Studio 77Winner of new studio technology - network... |
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Microsoft Production StudiosWinner of new studio technology - non-broadcast... |
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CNN Washington BureauWinner of post & network production facilities... |
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MicrophonesIn an audio world that seems to be all about digital streams, format conversion and file manipulation, two pieces of equipment remain firmly entrenched... |
Wichita State upgrades to HD with Utah Scientific
The upgrade allows the university's Media Resources center to supply HD content to the entire campus, and will soon enable it to serve the public via the local cable provider, Cox Communications....
Harris introduces HView SX Pro multidisplay management system
The HView SX Pro extends Harris' HView multiviewer range, delivering a compact new signal processing and monitoring option for control room environments....
Facilis Technology shipsTerraBlock 5.5
Now available, the new edition is a free download for customers with current support contracts....
SHM Broadcast to offer Bridge Technologies monitoring systems in Germany
ViedoBRIDGE systems are now available to all German customers....
Matrox adds features to Convert DVI Plus HD-SDI Scan Converter
Automatic input detection, graphic overlay, and snap-to-window support are now available....
Foo Fighters go back to basics with API for Grammy-winning album.
Engineer James Brown and producer Butch Vig use analog API 1608 console in recording Foo Fighters' Wasting Light album....
Grammy gear: audio manufacturers on parade
Equipment endorsements are honored, but broadcast producers drive the audio chain for 'music’s biggest night.'...
The team behind Grammy audio excellence
Annual live broadcast is the product of the latest technology, intense preparation and a dedicated team of audio professionals....
The truth behind sound for the Grammys
Audio coordinator Michael Abbott sets the record straight....
Broadcast Pix launches Video Control Center 3.0
The upgrades include touch-screen control, voice-automated control, virtual sets and automated graphics....
Harris NEXIO Studio Suite improves control in file-based workflows
NEXIO Studio Suite enhances the control of video servers in production studios, offering familiar video tape recorder (VTR) functionality while adding the operational benefits of multichannel, nonlinear video servers....
Fast Forward to launch sideKick HD at NAB 2012
The sideKick HD is a multiformat, straight-to-edit, camera-mountable DVR for today's state-of-the-art camcorders....
Eye Scream Factory releases 74 DVE transitions
The new pro presets for Avid Media Composer 6, Symphony 5, Avid FX 6 and Boris RED 5 provide a wide variety of organic and fluid DVE transitions....
Panasonic announces delivery of AG-3DP1 3-D P2 HD camcorder
The camera's newly developed 17x twin-lens zoom lens system features an expanded range for both wide-angle and telephoto applications....
ProSiebenSat.1 Produktion deploys S4M ClipJOCKEY
ClipJOCKEY allows ProSiebenSat.1 Produktion to increase the benefits it achieves with its existing Harris Nexio video servers....
ASSIMILATE announces SCRATCH, SCRATCH LAB enhancements
SCRATCH Lab now provides dailies playback and review of RAW Stereo EPIC streams, direct from the camera at a full 48fps....



























