Loods, Lux & Lumen in Amsterdam has completed installation of new Digital Vision Film Master color grading and finishing that will be used to grade Dutch feature films for digital cinema release as well as documentaries, commercials, shorts and broadcast productions.
The Film Master system enhances Loods, Lux & Lumen’s color correction capability with increased speed and first-class picture quality. The system will be used in the next few months to grade and finish two feature films. As early adopters of digital cinema standards, the Film Master fits with the facility’s DI workflow, which includes grading directly on the big screen using its 2K digital cinema projector.
This eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.
File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media
Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.
2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.
Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.
