EVS’ XS production server is now available in a two-channel version.
EVS’ recently unveiled XS server, which is dedicated to tapeless ingest, production and playout in studios, is now available in both four-channel and two-channel configurations. The introduction of the new two-channel entry-level server model offers a simple and cost-efficient VTR replacement solution for all types of studios looking for the most reliable tapeless alternatives and improvements in productivity.
The XS server supports an extensive variety of acquisition and delivery formats, including a large number of natively supported SD and HD codecs. This gives a crucial advantage to studio productions looking for the flexibility of camcorder file acquisition combined with post production in SD or HD.
The XS servers’ two or four channels can be controlled by multiple software systems, such as EVS’ IPDirector content management software and Insio production software.
This eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.
File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media
Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.
2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.
Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.
