Sony unveils PCM-M10 handheld digital recorder

Jul 23, 2009 9:01 AM

             

The new PCM-M10 offers a wide range of recording possibilities from MP3 up to 96kHz WAV.

Sony expanded its line of portable professional audio recorders with the new PCM-M10, a palm-sized compact unit, at the Summer NAMM show. The new recorder is designed to be the perfect musician’s tool for capturing high fidelity audio in any location while offering user-requested convenience features unavailable even in the company’s premium units.

According to Karl Kussmaul, senior product manager for Sony’s pro audio group, the M10’s feature set was heavily influenced by musicians, who often have the need for high fidelity audio capture in less-than-convenient locations. This was one of the driving forces in this being the first Sony digital recorder to offer MP3 formatting. As a side benefit, the new device’s flexibility and smaller size makes it an excellent choice for mobile journalists.

The PCM-M10 is capable of full 96kHz, 24-bit WAV file recording and shares several design elements with the other Sony handhelds, the PCM-D1 and PCM-D50, including the same rugged metal construction and ergonomic physical design. Key features of the PCM-M10 recorder include a built-in playback speaker, cross-memory recording, a fully adjustable digital limiter, low-cut filter, track mark function, a five-second prerecording buffer, track marking and A-B repeat capability. Its digital pitch control can be used to control either time or frequency domain of recorded files.

Other unique features include automatic gain control realized in the digital domain to eliminate pumping effects, a high-resolution peak-holding VU meter and an automatic file-naming and organization scheme. The PCM-M10 comes supplied with Sound Forge Audio Studio Recorder Edition software.

Though the final specification is not yet written, product manager Karl Kussmaul, demonstrating a working PCM-M10 on the NAMM Show floor, said that the product will offer battery life conservatively rated at 14 hours or more using AA alkaline batteries; NiMH rechargeables will also be accommodated. The new recorder includes a USB high-speed port for simple up- and downloading of native WAV or MP3 recorded files and is scheduled to ship in October 2009.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 


Current Issue

A view from the top

January 2012

Some of broadcast's brightest reveal where the industry is headed.

Read More articles...

Related Newsletter

Transition to Digital
Provides readers with weekly timely updates on FCC actions, industry news, and station build-out schedules.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Submit your product for our NAB coverage.

Resources

Broadcast Engineering Newsletters Broadcast Engineering Essential Guides Broadcast Engineering White Papers Broadcast Engineering Videos Broadcast Engineering Podcasts Broadcast Engineering Industry Calendar

Industry Calendar

Broadcast Engineering Glossary of Terms

Glossary

Broadcast Engineering RSS feed

RSS

Interactive Media

Broadcast Engineering Webinars Broadcast Engineering Training Broadcast Engineering Blogs Broadcast Engineering Mobile Apps Broadcast Engineering on Facebook

Facebook

Broadcast Engineering JobZone

JobZone

Broadcast Engineering BE Roll

Blog

Featured Products

A Broadcaster's Guide To Camera & Lens Technology

A Broadcaster's Guide To Camera & Lens TechnologyThis eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.

File Based Technology and Workflow

File Based Technology and WorkflowFile-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Digital Television Fundamentals

Digital Television FundamentalsThis course, written by broadcast engineer Phil Cianci, provides a basic tutorial platform on the hows and whys of ATSC digital operation.

Video Compression, Editing and Displays

Video Compression, Editing and DisplaysVideo compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

 

 

Sound Off Podcasts

Erik Moreno, co-general manager of the Mobile Content Venture

MCV racks up successes on way to bright mobile DTV future

2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.

Danny Wilson

OTT year in review

Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top