Sony unveils professional 3-D camcorder

Mar 8, 2011 3:24 PM, By Michael Grotticelli

    
Sony’s 3-D/2-D switchable camcorder features two presynchronized fixed lenses, set for a minimum convergence distance of 1.2m, with convergence control settings.

Sony’s 3-D/2-D switchable camcorder features two presynchronized fixed lenses, set for a minimum convergence distance of 1.2m, with convergence control settings.

During his keynote address at the 2010 NAB Show as part of the Digital Cinema Summit, John Honeycutt, executive vice president and head of international business operations at Discovery International, introduced a prototype 3-D camcorder to be built by Sony, while he also announced plans for a 3-D channel from Discovery, Sony and IMAX. The new channel, now called 3net, launched earlier this year.

At 2011 NAB Show, Sony will unveil the production model of the camcorder, which Honeycutt called “the camera of the future.” The 3-D XCDAM shoulder-mount HD camcorder captures images with two 1/2in 3CMOS (six sensors acquiring at 1920 x 1080 resolution) Exmor imagers and records up to six hours on two separate SxS solid-state cards, for left and right eyes; it can also be used for 2-D HD recording. Up to six hours can be captured on four 64GB hot-swappable SxS cards.

The camera records images compressed with MPEG-2 using 4:2:0 signal processing.

The camera records images compressed with MPEG-2 using 4:2:0 signal processing.

The camcorder, which is 3-D/2-D-switchable, features two presynchronized fixed lenses, set for a minimum convergence distance of 1.2m, with convergence control settings. The camera records images compressed with MPEG-2 using 4:2:0 signal processing. It also provides manual lens control via three rings located on the left side of the camcorder. An outside ring controls the zoom, focus in the middle and convergence using the inner ring. Iris control is located next to the three manual controls.

The company will also show a compact, handheld 3-D camcorder, part of Sony’s NXCAM product line, which features a single CMOS HD (with 24p mode) sensor, an autostereoscopic (glasses-free) 3.5in LCD display to serve as a viewfinder, XLR audio connections and two shotgun microphones.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 

Current Issue

Online captioning compliance

May 2012

The FCC has issued captioning requirements for all online video. Learn how to meet the requirements of the new rules and how to automate the technical process.

Read More articles...

Related Newsletter

Transition to Digital
Provides readers with weekly timely updates on FCC actions, industry news, and station build-out schedules.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Video Compression, Editing and Displays

Video Compression, Editing and Displays

Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

File Based Technology and Workflow

File Based Technology and Workflow

File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Sound Off Podcasts

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top