Audio-Technica brings surround sound to the Olympics

Feb 12, 2010 12:27 PM

    
Olympic Broadcast Services Vancouver is using the AT4050 (pictured) and BP4025 X/Y stereo field-recording microphones to capture 5.1 surround sound

Olympic Broadcast Services Vancouver is using the AT4050 (pictured) and BP4025 X/Y stereo field-recording microphones to capture 5.1 surround sound

The 2010 Winter Olympics in Vancouver will be the first Olympic Games to be totally broadcast with 5.1 surround sound. To accomplish this challenging task, more than 3000 Audio-Technica microphones will be used in the production.

NBC will use several Audio-Technica microphones, headphones and related products for its HD broadcasts (with full surround sound). The models include the AT405 multipattern condenser microphone, which will provide the discrete 5.1 audio bed from the venues for surround-sound broadcast, and the BP4027 stereo shotgun microphone set to the X/Y mode, which will act as primary camera mics. Other models include the AT825 X/Y stereo field-recording microphone and the AT892 MicroSet omnidirectional, condenser head-worn microphone.

“For 5.1, we choose to mic each channel separately with the AT4050,” said Bob Dixon, director of sound design for the NBC Olympics. “For the camera mics, the BP4027’s work well in stereo settings, like coach/athlete conversations on the sidelines. Those mics really give a natural, active feel for the sound in the space the camera is capturing.”

Olympic Broadcast Services Vancouver (OBSV) is the host broadcaster and is responsible for producing and distributing audio and video coverage of the games to all rights-holding broadcasters. OBSV will use the AT4050 and BP4025 X/Y stereo field-recording microphones to capture the 5.1 surround sound.

In Vancouver, there are several different audio environments, each requiring different mic setups. Within events, there are different segments for miking surround, from event preparation to the crowd sounds of the event itself; all of this will be in 5.1 surround.

In addition, Audio-Technica’s AT898 subminiature lavaliere microphone with individual body packs will be used as well as up to 48 channels of simultaneous wireless custom A-T boundary mics to capture the sounds of hockey competition.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 

Current Issue

Online captioning compliance

May 2012

The FCC has issued captioning requirements for all online video. Learn how to meet the requirements of the new rules and how to automate the technical process.

Read More articles...

Related Newsletter

Transition to Digital
Provides readers with weekly timely updates on FCC actions, industry news, and station build-out schedules.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Video Compression, Editing and Displays

Video Compression, Editing and Displays

Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

File Based Technology and Workflow

File Based Technology and Workflow

File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Sound Off Podcasts

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top