At IBC2009,BOOM will showcase its Oceano’Cam system, a lightweight, underwater HD camera system that can shoot at depths of up to 1600ft.
Oceano’Cam includes a modular structure, a camera chamber, a power supply chamber, a pan/tilt head, two LEDs lights, one LED spotlight, 1968ft of optical fiber cable and a complete HD recorder unit.
The unit’s camera chamber supports a 1080i HD three-CCD broadcast camera with 5.5x22 zoom lens, an HD-SDI-to-optical and optical-to control data converter, light controls, and pan, tilt and zoom setup. Signals are transmitted via a strong four optic-fibers cable.
The remote control panel on the surface provides access to all of the menus for camera, zoom lens, pan-and-tilt head, and lighting level settings.
This eBook provides both new and veteran shooters an in-depth understanding of the technology that lies between the camera lens and the recording medium and how to maximize a camera's performance.
File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media
Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.
2012 will be the year of mobile DTV. That’s the view of Erik Moreno, who along with Salil Dalvi, senior VP for Mobile Platform Development at NBC Universal, is co-general manager of the Mobile Content Venture.
Hear snippets of podcast interviews done throughout 2011 with Pat McDonough of The Nielsen Company, Glen Friedman of Ideas & Solutions!, Danny Wilson of Pixelmetrix and Greg Herman of Watch TV. Pictured is Danny Wilson, Pixelmetrix.
