Calrec onboard new NEP Supershooter trucks

Dec 10, 2010 12:49 PM

    
The Calrec Artemis console features a combination of OLED displays, touch screens and light-emitting knobs that provide instant visual feedback and flexibility for the operator.

The Calrec Artemis console features a combination of OLED displays, touch screens and light-emitting knobs that provide instant visual feedback and flexibility for the operator.

Mobile production company NEP Supershooters has acquired two Calrec Artemis consoles for live sports production. NEP uses Calrec mixing boards on most of its production trucks.

The first Artemis is being installed in SS29, a new truck designated to cover NASCAR races for Speed Channel. With integral, high-capacity 8192 x 8192 crosspoint routers, the console’s Hydra2 network provides an efficient, effective and easy means of bringing audio back to the truck from mics located on the racetrack. NEP’s second Artemis is part of an upgrade to its SS9 truck, a midsized HD unit that supports both 720p and 1080i broadcast. SS9's primary assignments will be professional NBA basketball and NFL football.

The small-footprint Artemis console leverages Calrec’s Bluefin 2 high-density signal processing technology for power and integrated Hydra2 networking to unify inputs and outputs regardless of the source’s physical location.

Besides high-end routing and processing capability, the Calrec Artemis console features a combination of OLED displays, touch screens and light-emitting knobs that provide instant visual feedback and flexibility for the operator.

Artemis consoles leverage Calrec’s Bluefin2 high-density signal processing platform to provide substantial resources no matter what the sample rate. For example, at 48kHz, Bluefin2 gives Artemis up to 680 channel-processing paths, 128 program busses, 64 IFB/track outputs and 32 auxiliaries. Artemis also features a second compressor/limiter in each channel, more than 70 minutes of assignable delay and three independent APFL systems for multiple operator use. Like all Calrec designs, the facilities do not share resources, making them available to the operator at all times.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 

Current Issue

Online captioning compliance

May 2012

The FCC has issued captioning requirements for all online video. Learn how to meet the requirements of the new rules and how to automate the technical process.

Read More articles...

Related Newsletter

Transition to Digital
Provides readers with weekly timely updates on FCC actions, industry news, and station build-out schedules.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Video Compression, Editing and Displays

Video Compression, Editing and Displays

Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

File Based Technology and Workflow

File Based Technology and Workflow

File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Sound Off Podcasts

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top