CBS ‘Blue Bloods’ seen through Angenieux lenses

May 26, 2011 8:00 AM

    

Currently, 95 percent of the show is shot using Angenieux lenses, which range in speed between T2.2 and T2.8.

The CBS television series “Blue Bloods” uses Angenieux Optimo lenses for production, including the Optimo 15-40, 28-76, 17-80 and 24-290mm zoom lenses.

Offhollywood, a digital cinema solutions company, has recently outfitted the CBS production of “Blue Bloods” with Optimo zoom lenses and Red One MX digital cameras. Each episode is contained, and only eight days are scheduled to create 45 minutes of content.

The Optimo 24-290mm lens has quickly become the show’s standard set-up lens because it allows the company to work at the breakneck speed required without sacrificing quality. The lenses, said the production company, are comparable or exceed the quality of most prime lenses.

The Angenieux Optimo lenses were field tested prior to the start of production and evaluated against comparable primes. Production of “Blue Bloods” began with a full set of master primes and the Optimo zooms but the quality and flexibility of the Optimo lenses quickly stood out in comparison. The primes were returned in exchange for additional Optimos.

Currently, 95 percent of the show is shot using Angenieux glass, which ranges in speed between T2.2 and T2.8. The show said it is not unusual for an Angenieux representative to visit the set to ensure the lenses are in full working order, plus the company offers on-call support and in-field servicing.




Want to use this article?
Click here for options!
Get Copyright Clearance

Share this article

blog comments powered by Disqus

 

Current Issue

Online captioning compliance

May 2012

The FCC has issued captioning requirements for all online video. Learn how to meet the requirements of the new rules and how to automate the technical process.

Read More articles...

Related Newsletter

Transition to Digital
Provides readers with weekly timely updates on FCC actions, industry news, and station build-out schedules.

Related Posts


Confused about the terminology in an article? Find definitions of common terms and abbreviations in Broadcast Engineering's Glossary.

 


Video Compression, Editing and Displays

Video Compression, Editing and Displays

Video compression, editing and displays is an in-depth tutorial on MPEG compression technology, editing MPEG content and evaluating color video monitors written by long-time video expert, trainer and writer Steve Mullen, Ph. D.

File Based Technology and Workflow

File Based Technology and Workflow

File-based technologies have replaced video tape methods for a majority of production and broadcast operations. The worlds of AV and IT are coalescing to create new methods and workflows for media

Sound Off Podcasts

 

Broadcast Engineering Digital Reference Guide

Browse Back Issues

Back to Top